{"title":"Records \/ Music","description":"","products":[{"product_id":"100100142658","title":"LP \/ CARL OESTERHELT — The Dualistic Principle","description":"\u003cp\u003eVINYL LP (BLUE)\u003cbr\u003eRELEASED November 2022\u003cbr\u003eGermany\u003c\/p\u003e\n\u003cp\u003eThroughout his productive career, Carl Oesterhelt has proven to be an artist who finds it easy to move between musical genres and concepts. Much of his work has been within classical and chamber music, but he has also scored museum exhibitions and he is sometimes part of The Notwist crew as an angular figure on the Munich scene.\u003cbr\u003e\u003cbr\u003eIn Umor Rex we have been lucky enough to publish an array of Oesterhelt’s universes. In Eleven Pieces for Synthesizer (Umor Rex 2019) we heard his kosmische side, where the connections with Harmonia or Klaus Schulze were amalgamated with ecclesiastical organ pieces and intense semi-automatic rhythms. A deeply melodic, fresh album. Pure syntax of the modern synthesizer. Further, in The Aporias of Futurism (Umor Rex 2021), in collaboration with Andreas Gerth (Driftmachine, Tied \u0026amp; Tickled Trio), Oesterhelt showed what is perhaps his darkest side —a work full of nuances within concrete music and midnight atmospheres. As deep and cerebral an album as it is surprising and catatonic.\u003cbr\u003e\u003cbr\u003eYet it seems that Carl Oesterhelt has another ace up his sleeve. Now he surprises us with The Dualistic Principle, a fantastic album full of weird but charming electronic melodies, rhythms that push the body to movement, sometimes syncopated and abstract, others permanent and fluid. In this work, Oesterhelt invited Johan Simons to give voice to the lyrics. The Dualistic Principle is a sort of rendition of a philosophical review or a nostalgic memory of the glamorous years. There is also underlying humor in the Post \/ Space-pop \/ Munich-disc assortment. The Dualistic Principle is the score to an imaginary film of contemporary hedonism.\u003cbr\u003e\u003cbr\u003eAll music \u0026amp; lyrics by Carl Oesterhelt. Voice by Johan Simons. Additional strings played by the Ensemble für synkretische Musik. Recorded in Munich \u0026amp; Bochum, Germany. Mastered by John Tejada in Sherman Oaks, USA. Artwork by Daniel Castrejón in Mexico City.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST (40:29)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 The crystal curtain\u003cbr\u003e02 The gong of revolt\u003cbr\u003e03 A mania for technology\u003cbr\u003e04 Milky way\u003cbr\u003e05 My sadness was a cluster of agonies\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"link\" href=\"https:\/\/admin.shopify.com\/store\/utilitario-mexicano\/products\/zarahome.com\" target=\"_blank\"\u003eUmor Rex album page\u003c\/a\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003ca title=\"link\" href=\"https:\/\/open.spotify.com\/album\/4I1zrWwmTaSSgWXjvGpXOe?si=fDCNxs6YS4Ge2yOF_5kFkg\" target=\"_blank\"\u003eSpotify\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a window with a unique vision of experimental music. It's a label worth discovering through your ears, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded in 2006 in Mexico City, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an independent record label with a challenging and experimental catalog, in vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others. \u003c\/span\u003e\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":42880731185352,"sku":"100100142658","price":730.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Carl-Oesterhelt-1.jpg?v=1693609180"},{"product_id":"10010014124","title":"LP \/ DRIFTMACHINE — Spume \u0026 Recollection","description":"\u003cp\u003eVINYL LP\u003cbr data-mce-fragment=\"1\"\u003eReleased March 2021\u003cbr\u003eGermany\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNOTE: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis product does not apply to free shipping. Choose more than 2 records and up to 5 to pay a flat rete of USD $15.99 for US an CAN. \u003cmeta charset=\"utf-8\"\u003eAdditional shipping fees apply according to the country destination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePunctual like a Swiss watch, Driftmachine presents a new album that once again astounds and delights. We know their trademark: solid mechanical percussions, forceful bass and melodies systematically built around circular patterns. Spume \u0026amp; Recollection is the sixth Umor Rex album by the Berlin duo, and what better way to celebrate the label's 15th anniversary than with a new record from the masters of labyrinthine cables and patches. Regarding Nocturnes (UR 2014), their debut album, we described their sound as precise and symmetrical, identical concrete blocks mounted and articulated in a random order. Their already obsessive style continued to evolve with their third record, Colliding Contours (UR 2016), now pushing further into abstract dub, ultra-tense grooves, and even more kinetic loops, moving further away from conventional musical structures. Between these two albums they released the remarkable Eis Heauton (UR 2015), a kind of hypnotic experiment informed by shadowy atmospheres, chance, and an intuitive dialogue with their musical machines, a unique situation in which they acted as bemused observers in hunt for epiphanies, resulting in an exquisite amalgamation of lucid dream-logic and mechanical precision. A one-of-a-kind soundtrack for minute and wordless scenes unfolding in pitch-black back alleys and hidden, alchemical basements. A similar map was explored with Shunter (UR 2018), a superb secret meeting between avant-garde phantasmagoria and concrete experimentation. Radiations (UR 2017) offered B-sides and bonus tracks, in addition to collaborations with Shackleton and The Sight Below, a kind of preamble that united Driftmachine’s different expressions and leanings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Andreas Gerth and Florian Zimmer come up with new material, one listens with high expectation. Looking back on their discography, one could safely anticipate a high quality album densely layered with their familiar leitmotifs. And yet, Spume \u0026amp; Recollection takes us by surprise and finds a new way to transfix. Fresh methods and ideas are introduced to their dynamics and formula. Yes, of course, you can still expect a healthy dose of kosmische, which is one of the dominant features in Driftmachine’s DNA; but this is now entwined with novel materials, semi-material patterns of alien code stretching over exhilaratingly tense and detailed grooves, clouds of gas shifting on top of deep dub architecture and blocking out the sun for prismatic effect. Even more of a surprise is the immediate, streamlined nature of these tracks, making Spume \u0026amp; Recollection their most accessible record and, perhaps, the most addictive (and this without sacrificing the essential mystery and strangeness at the core of Driftmachine’s sound). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe have previously described their work as post-industrial-dub; right now, we might just call it hypno-music for man and machine to dance and dream together. Spume \u0026amp; Recollection takes this concept as far as it can go without breaking, and finds some strange new feelings, and weirdly danceable grooves, to shed some light on this dark and dazzling ride.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written \u0026amp; produced by Andreas Gerth \u0026amp; Florian Zimmer in Berlin. Mastered by John Tejada. Artwork \u0026amp; Photos by Daniel Castrejón.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACKLIST \/ 40.3 minutes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e01 Albatros follows a killer whale\u003cbr data-mce-fragment=\"1\"\u003e02 The surge at the end of the mind\u003cbr data-mce-fragment=\"1\"\u003e03 Memories of the lakeside\u003cbr data-mce-fragment=\"1\"\u003e04 Soon I Will disappear\u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a window with a unique vision of experimental music. It's a label worth discovering through your ears, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded in 2006 in Mexico City, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an independent record label with a challenging and experimental catalog, in vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others. \u003c\/span\u003e\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":42881389134024,"sku":"10010014124","price":730.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Recollection-2.jpg?v=1693672310"},{"product_id":"10010014126","title":"LP \/ SOL OOSEL — En allégeance à l'inconnaissable","description":"\u003cp\u003eSOL OOSEL — En allégeance à l'inconnaissable\u003cbr\u003eUne étude en chorégraphie pour le flux d'énergie\u003cbr\u003e\u003cbr\u003eVINYL LP\u003cbr\u003eReleased October 2019\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMexico\u003c\/p\u003e\n\u003cp\u003eSol Oosel presents an album with a complex mixture of tones and structures, striking a close relation between a sort of devotional music and a trancelike state. Beyond his own specific exploration of the possibilities of electronic modular synthesis, Sol Oosel searches for hacks in different states of consciousness by way of sound. This album is being released in limited edition Crystal Clear colored vinyl LP, and digital downloads and streamings. Set to release on October 25, 2019.\u003cbr\u003e\u003cbr\u003eEn allégeance à l'inconnaissable - Une étude en chorégraphie pour le flux d'énergie is meant as a musical aid for visualizing the ability to dance with and manipulate attainable flows of energy. Largely produced using modular synthesizers and the Roland SH-09, Sol Oosel stretches beyond the fields of ambient music, adding a special sense of drama to this psychoactive journey. Each song is built around solid structures and infused with a mystical atmosphere. Harmonically, this album is close to Hans-Joachim Roedelius' early works; it is emotionally positive, informed by pop nuances that are rarely found in this type of ambient music. Sol Oosel also owes to the works of Klaus Schulze; however, while Schulze was concerned with space and made music of the unknown but conceivable cosmos in his mind, Sol Oosel is more interested in Earth and the force that weighs us down in this complex physical reality. His music speculates on the relationships between inner and outer worlds. En allégeance à l'inconnaissable... is a soundscape and a choreographic exercise for relaxation, intentionally disrupted by \"Here (Au Bord De L'Univers)\", a deconstructive piece covered in multiple layers of repetition, progressive beats and kosmische pulsation which detours from the flow. In a way, it represents the bridge between all these cosmic and earthly energies.\u003cbr\u003e\u003cbr\u003eThis is Sol Oosel’s debut on Umor Rex. He previously self-released the album Janus, and was member of several bands and projects before focusing in Sol Oosel. He lives in the rural village of Tepoztlán, México, where he works as an artist, performer, sculptor, sonic landscaper, and dancer.\u003cbr\u003e\u003cbr\u003eThe digital version of this album includes a remixed version of \"Temple Of Names\" by Umor Rex longtime friend and collaborator James Place. Recorded and Mixed at Wulkan Studies by Sol Oosel (Tepoztlán, México). Mastered at Black Knoll Studios by Rafael Anton Irisarri (New York, USA). Design by Daniel Castrejón, photographs by Diego Berruecos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST \/ 46 minutes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 In Allegiance To The Unknowable\u003cbr\u003e02 The Remains Of Earlier Temples\u003cbr\u003e03 Fare Il Proprio (Autres Directions)\u003cbr\u003e04 Notre Soulèvement\u003cbr\u003e05 North Wind Through The Gates Of Hearing\u003cbr\u003e06 Asymmetrical Harmony And The Dissolution Of Reality\u003cbr\u003e07 Here (Au Bord De L’Univers)\u003cbr\u003e08 Temple Of Names\u003cbr\u003e09 Attunement For A Thunderstorm\u003cbr\u003e10 Temple Of Names (James Place remix — digital bonus track)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a window with a unique vision of experimental music. It's a label worth discovering through your ears, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded in 2006 in Mexico City, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an independent record label with a challenging and experimental catalog, in vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others. \u003c\/span\u003e\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":42881834778824,"sku":"10010014126","price":550.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Sol-Oosel--1.jpg?v=1693759771"},{"product_id":"10010014130","title":"LP \/ WONG + MINEKAWA + WILLSMITH — Exit Future Heart","description":"\u003cp\u003eDUSTIN WONG + TAKAKO MINEKAWA + GOOD WILLSMITH\u003cbr\u003eExit Future Heart\u003cbr\u003e\u003cbr\u003eVINYL LP\u003cbr\u003eReleased May 2018\u003cbr\u003eJapan \/ USA\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eExit Future Heart follows three Good Willsmith albums released on Umor Rex and three albums by Dustin Wong and Takako Minekawa on Thrill Jockey. Recorded live at home in Chicago over the course of one night when Wong and Minekawa passed through on tour, Exit Future Heart showcases a program of spontaneous compositions that flow through mutated tropes of rock music, focused ambient\/kosmische synthesis, and expanses of raw textural sculpting. The singular performance styles and improvisatory gestures of each member of the quintet fuse into a delicate interplay charged more by open spaces and deep listening than by overload or abandon.\u003cbr\u003e\u003cbr\u003eTakako Minekawa and Natalie Chami chase each other through the mix with layered angelic vocalizations that flit from operatic highs to close-mic whispers. Minekawa’s flute-like Casio tones, prominently featured in her catalog of seminal shibuya-kei pop albums starting in the mid 90s, cut through in moments of colorful melody and hover in clouds of restrained pointillist harmony. As in her solo recordings under the name TALsounds, Chami’s signature Juno organ chords and cascading monophonic Moog blips compound through live looping and processing into the undulating bedrock of each session. Dustin Wong’s guitar shines in passages of crystalline clean tone picking and rockets into bursts of effect-soaked abstraction, capturing the glowing precision of his solo albums on Thrill Jockey and the optimistic energy of his his former noise\/rock band Ponytail. When he’s not painting the mix with smeared arpeggios and quivering synth textures, Doug Kaplan (AKA MrDougDoug, one half of Chicago label Hausu Mountain) locks with Wong into tiered guitar riffs that conjure some image, however skewed, of a rock band’s twin six-string leads. In step with the frantic, style-mashing electronic arrangements of his solo project Mukqs, Maxwell Allison (the other half of Hausu Mountain) steers a rig of synths and drum machines through shifting IDM-esque bass and drum patterns, steady krautrock-inspired beats, and bleeping 8-bit square wave patches.\u003cbr\u003e\u003cbr\u003eChanneling a varied palette of sounds at their disposal, the Dustin Wong + Takako Minekawa + Good Willsmith quintet’s extended improvisations segue through contrasting atmospheres and emotional zones. Rock backbeats pulse behind dense clouds of guitar and voice before fading into clattering arrhythmia. Empty passages embodying the Japanese notion of “ma” (or intervals of negative space) erupt for short moments with individual interjections before sinking back into near nothingness. The album ends with the quintet’s most frankly affecting session, whose title Setsunai evokes a sense of melancholic ennui or a moment of twilit reflection. The voices of Minekawa and Chami fold together and crest over brooding chords into wailed climaxes of wordless melody, building into a holy meadow of harmonies that thicken with slow-drip synth and guitar embellishments. Taken as a whole, the quintet’s recordings pluck tones and strategies from a wide axis of seemingly opposed traditions: sentimental pop\/rock-informed songcraft vs. no-holds-barred improv; self-nullifying drone and ambient stasis vs. constantly shifting electro-acoustic activity. Exit Future Heart stands as a singular document of five friends having fun, piecing together a hybridized strain of live performance that seems to gel almost too perfectly to be improvised, but that proudly displays too many idiosyncrasies and happy accidents to be composed.\u003cbr\u003e\u003cbr\u003eDustin Wong, Takako Minekawa, Natalie Chami, Doug Kaplan and Maxwell Allison. Mastered by Rafael Anton Irisarri. Design by Daniel Castrejón.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST \/ 38 minutes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 The Garden of Earthly Flanger\u003cbr\u003e02 Plastic Skin\u003cbr\u003e03 AI No Na\u003cbr\u003e04 Gikanjoumonogatari\u003cbr\u003e05 Happiness Can’t Be Described By A Visible Color\u003cbr\u003e06 Setsunai\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"link\" href=\"https:\/\/admin.shopify.com\/store\/utilitario-mexicano\/products\/zarahome.com\" target=\"_blank\"\u003eUmor Rex album page\u003c\/a\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/1VMB9iRhCMPdUtxGvAa0RI?si=I3TbJsKHTOeMmRbXiOG4yA\" title=\"spotify\" target=\"_blank\"\u003eSpotify\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"link\" href=\"https:\/\/admin.shopify.com\/store\/utilitario-mexicano\/products\/zarahome.com\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a window with a unique vision of experimental music. It's a label worth discovering through your ears, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded in 2006 in Mexico City, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUMOR REX\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an independent record label with a challenging and experimental catalog, in vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others. \u003c\/span\u003e \u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":42883042574536,"sku":"10010014130","price":550.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Exit-Future-Heart-1b.jpg?v=1693944727"},{"product_id":"10010014235","title":"LP \/ KARA-LIS Coverdale and LXV — Sirens [REPRESS 2023]","description":"\u003cp\u003eVINYL LP + DIGITAL.\u003cbr\u003eRelease Nov. 2023.\u003c\/p\u003e\n\u003cp\u003eEight years after its original release in 2015, and having sold out upon hitting the market, we finally present the vinyl reissue of 'Sirens' by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.\u003c\/p\u003e\n\u003cp\u003eInspired by the connection between seduction and violence, 'Sirens' comprises a series of anamorphic pieces with a wide timbral spectrum that positions the voice as a newly imagined tool of multiplicity. Sample manipulation processes, signal processing, routing, and source design inform the instrumental writing and performance, feeding back into each other, flickering between states of conflict and consonance. Appearances of the schizophrenic voice that fracture and cool at one moment and are filled with warmth and vivacity at the next, embody velvet rituals of romanticism in the digital age.\u003c\/p\u003e\n\u003cp\u003eUltimately, 'Sirens' is music for ambitious dreamers: surreal soundscapes that sound like the warmth of the world on a frozen virtual altar. LXV's vocal truncations and fleshy sound palettes represent the archiving of breath and auditory fantasies of the flesh, which Coverdale situates amidst a vast and boundless landscape of deeper, unknown force. Harmonically active and dynamically sustaining orchestrations underpin post-sacred tones, while menacing tubular organs, sphinx-like flutes, and storms of metallic percussion characterize uniquely disarticulated discussions between disparate compositional ontologies. Sometimes violent and at other times serenely peaceful and seductive, these pieces, in their most powerful moments, illuminate a sensed space between cybernetic energy and the body.\u003c\/p\u003e\n\u003cp\u003eComposed and recorded by Kara-Lis Coverdale and David Sutton. Mastered by John Tejada. Cover photography by Cody Cobb. Design by Daniel Castrejón.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST \/ 44\u003c\/strong\u003e\u003cstrong\u003e minutes\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e01 Tunnel Vision\u003cbr data-mce-fragment=\"1\"\u003e02 Territory of Subtle Entries\u003cbr data-mce-fragment=\"1\"\u003e03 Disney\u003cbr data-mce-fragment=\"1\"\u003e04 Grigori in Jakarta\u003cbr data-mce-fragment=\"1\"\u003e05 Buffering Landscape\u003cbr data-mce-fragment=\"1\"\u003e06 Sub\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":43029592506568,"sku":"10010014235","price":840.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/karalis-1.jpg?v=1700850528"},{"product_id":"10010014236","title":"LP \/ A. Gerth \u0026 C. Oesterhelt — Music for Unknown Rituals","description":"\u003cp\u003e2xLP Vinyl in 4-panel gatefold.\u003cbr\u003eLimited to 300 copies + DIGITAL\u003cbr\u003eRelease Nov. 2023.\u003c\/p\u003e\n\u003cp\u003eTwo years later, Carl and Andreas present their second album, once again opening up a wide associative space for us. What initially catches our attention is the unusual instrumentation: a church organ, harpsichord, glass tubes, and more. Like their first album (The Aporias of Futurism), it's mysterious and dark. But it also carries a strong touch of rebellion and adrenaline, sometimes very subtly. The pieces are now shorter and feature intricate yet irresistible rhythms. The impact is immediate, but it maintains a sense of solemnity and ceremony. The Apollonian complexity of rhythms and subtle melodic interweaving is transformed into a Dionysian, ecstatic, hypnotic, and sometimes tribal context. 'Music for Unknown Rituals' oscillates between primal instincts and avant-garde intrigues.\u003c\/p\u003e\n\u003cp\u003eThe process began in Döblitz, a small village on the banks of the Saale River in Germany, inside an old church housing an organ built in 1886 by Johann Adolph Ibach. Carl and Andreas gained access and isolated themselves there for a few days, accompanied by the organ, a glass tube instrument, and a set of modular synthesizers. After recording the basic tracks in Döblitz, work continued in Munich and Berlin. Carl played electric guitars, harpsichord, bass, metallophone, xylophone, Indian harmonica, and various percussion instruments. Andreas added layers of electronic sounds, atmospheric drones, and noises. He also created percussive structures extracted and derived from recorded technical and industrial noises, contrasting with the acoustic drums played by Carl. The antithetical approach continues with the dichotomous arrangement of the instruments, often panned hard left and right in the stereo field, creating antiphonal communication. Some parts, especially the use of the electric guitar, evoke memories of psychedelic 60s. However, this is not a nostalgic album; these musical references are mere remnants, pieces of scenery and fragments used from a contemporary, postmodern, post-cultural youth, and post-romantic perspective.\u003c\/p\u003e\n\u003cp\u003eWhile Andreas and Carl continue on their chosen path of composing music with an almost literary narrative structure, this album is conceptually and formally completely different from their first effort. If 'The Aporias of Futurism' was a revolutionary manifesto (in a pataphysical sense), 'Music for Unknown Rituals' is more like the implementation in action; it's the practical application of the previous statement. In other words, if 'The Aporias of Futurism' was the conceptual manifesto of a dark utopia of modernity, 'Music for Unknown Rituals' is the staging of the delivery of free will to myths and the catharsis of a Greek tragedy. And in response to this, art presents a leitmotif of histrionics with hands, with hands being the first and intuitive part of the body to express something: a ritual, a prayer, a defeat...\u003c\/p\u003e\n\u003cp\u003eAll music composed by Andreas Gerth and Carl Oesterhelt. Mastered by John Tejada in Los Angeles. Artwork by Daniel Castrejón in Mexico City.\u003c\/p\u003e\n\u003cp\u003eTRACKLIST (69:00)\u003c\/p\u003e\n\u003cp\u003e01 Derived from the trout mask in a tentative manner\u003cbr\u003e02 The dissolution of time\u003cbr\u003e03 Abdication\u003cbr\u003e04 The alphabet of steps\u003cbr\u003e05 Les cycles extatiques\u003cbr\u003e06 The geometry of rhythmics\u003cbr\u003e07 At the margin of moments\u003cbr\u003e08 Through the deserts of postmodernity\u003cbr\u003e09 Stereometry of moving bodies\u003cbr\u003e10 Suspecting metaphysical symbols\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca title=\"link\" href=\"https:\/\/admin.shopify.com\/store\/utilitario-mexicano\/products\/zarahome.com\" target=\"_blank\"\u003eUmor Rex album page\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUMOR REX\u003c\/strong\u003e is a window with a unique vision of experimental music. It's a label worth discovering through the ear, both for electronic music enthusiasts and for those curious about exploring new forms of artistic expression.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFounded in 2006 in Mexico City, \u003cstrong\u003eUMOR REX\u003c\/strong\u003e is an independent record label with a challenging and experimental catalog, available on vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others.\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":43029626749128,"sku":"10010014236","price":990.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Music-for-Unknown-Rituals-1.jpg?v=1700851632"},{"product_id":"100100142508","title":"LP \/ SAFIYYA. Shareek Hayaat","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv data-testid=\"conversation-turn-579\" class=\"w-full text-token-text-primary\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eSafiyya — Shareek Hayaat\u003cbr\u003eVINYL LP + DIGITAL\u003cbr\u003eRelease November 2013\u003cbr\u003eUSA\u003c\/p\u003e\n\u003cp\u003e\"Shareek Hayaat\" is the second album by Safiyya, the duo formed by Brad Rose and Pat Murano. Brad Rose is the head of Digitalis label, and is also known for his work as The North Sea, Charlatan, and Altar Eagle. Pat Murano, head of Kelippah Records, has also worked under the name Decimus, and as a member of the venerable No Neck Blues Band.\u003c\/p\u003e\n\u003cp\u003eWhen Max Ernst said that the forest was a supernatural insect and a slate, Pat Murano and Brad Rose were not yet born, but this strange pair of fine woodcutters would prove his point with sounds. What kind of sounds? Electronic and organic, sounds derived from the intricate and layered process one can expect from wizards like Brad Rose and Pat Murano. Do you need to speak Arabic to decipher their stuff? Maybe... The title of each track seems to allude to some kind of archetype and describe a stage in some kind of ritual. Maybe there's a specific meaning tied to the words, but feel free to project your own. The important thing is to realize that some kind of dark rite is happening in the deepest part of the forest (or the desert), and Murano and Rose are the ones setting the mood and disorienting the senses. Amateur mediums need not apply. This is how spirits are invoked and directed through sound; this indeterminate musical object is the real deal. Let's say Music is a walled country and Noise is the wild and barbaric land where cartographers fear to tread. In between, there's a wild and dark forest, a forest of terror and wonder: that's Safiyya, that's Shareek Hayaat. You can imagine it as a shapeshifting picture of the forest as a supernatural insect, scribbled on a slate with the alchemy of musical and non-musical instruments. If you like brilliance with your weirdness, and would like to take a journey to the land between music and noise, this one's for you.\u003c\/p\u003e\n\u003cp\u003eAll music by Brad Rose and Pat Murano. Photos by Diego Berruecos. Design by Daniel Castrejón.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST \/ 40 min\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 The rejection and betrayal of Khairiah, the crone\u003cbr\u003e02 The devotion and sacrifice of Amal, the maiden\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/3PF3ksI4VFmWvbhvxdIfuA?si=OH1LTBDpTXqB2p_yJzvzOw\" title=\"link\" rel=\"noopener\" target=\"_blank\" data-mce-href=\"https:\/\/open.spotify.com\/album\/3PF3ksI4VFmWvbhvxdIfuA?si=OH1LTBDpTXqB2p_yJzvzOw\"\u003eUmor Rex album page\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUMOR REX is a window with a unique vision towards experimental music. It is a label worth discovering through the ear, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/p\u003e\n\u003cp\u003eFounded in 2006 in Mexico City, UMOR REX is an independent record label whose challenging and experimental catalog, in vinyl and cassette format, spans from ambient to electronic experimentation, dub, and avant-garde. They publish the work of artists constantly exploring new sound territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others.\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":43259266531528,"sku":"100100142508","price":550.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/SAFIYYA-1.jpg?v=1709060266"},{"product_id":"100100142510","title":"LP \/ OPUNTIA. Mercurio","description":"\u003cp\u003eOpuntia — Mercurio\u003cbr\u003eVinyl LP LTD + DIGITAL\u003cbr\u003eRelease March 2024\u003cbr\u003eMexico\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMercurio\u003c\/em\u003e is the debut album by Opuntia, the solo project of Mexico City-based producer Camila de Laborde. After three albums with her duo\/band, Camila Fuchs (ATP\/Felte, etc.), Camila decides to embark on a new path of musical and interpersonal exploration with Opuntia as her new alias, and with the album \u003cem\u003eMercurio\u003c\/em\u003e as a statement of metamorphosis and creative process.\u003c\/p\u003e\n\u003cp\u003eOverall, \u003cem\u003eMercurio\u003c\/em\u003e is a direct impact of beautiful melodies, rhythms, and vocals traversing an axis of avant-garde electronic pop, sprinkled with elegant nods to experimental transitions. In \u003cem\u003eMercurio\u003c\/em\u003e, spaces, textures, and echoes reminiscent of a retro science fiction analogy can be perceived. Bass hits or percussion carry a weight that bursts but delicately dissolves instantly, perhaps another analogy, akin to liquid metal. From softness to fury throughout the ten songs, Opuntia proposes an artistically reinvented constant movement. Speeds and spaces change, but the narrative remains consistent from start to finish, finding a place, a resolved utopia. \u003cem\u003eMercurio\u003c\/em\u003e is cheerfully dark, with substantial doses of sophisticated pop.\u003c\/p\u003e\n\u003cp\u003eMusic and lyrics by Camila de Laborde (Opuntia). Recorded at Haus, Lisbon; MCO Studios, Mexico City; Firgun Recordings, Fontainebleau. Mixed by Santiago Rodríguez and Camila de Laborde at Eviltapes Studio, Mexico City. Mastered by Rafael Anton Irisarri at Black Knoll Studio, New York. Cover photo by Manuela de Laborde \/ Daniel de Laborde. Design by Daniel Castrejón.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eTRACKLIST (47:00)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 Lake of voices\u003cbr\u003e02 Déjame decir que no\u003cbr\u003e03 Low machine\u003cbr\u003e04 Meketer\u003cbr\u003e05 Carry a rock\u003cbr\u003e06 Hold\u003cbr\u003e07 Howl\u003cbr\u003e08 9 for 9\u003cbr\u003e09 No lo veía venir\u003cbr\u003e10 The starting beat\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/5qhdadOjoe7hywg7uPwXFl?si=67NhB1-vSPWflXk8YZ5eWA\" title=\"spotify\" rel=\"noopener\" target=\"_blank\"\u003eUmor Rex album page\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUMOR REX is a window with a unique vision towards experimental music. It is a label worth discovering through the ear, both for electronic music lovers and for those curious to explore new forms of artistic expression.\u003c\/p\u003e\n\u003cp\u003eFounded in 2006 in Mexico City, UMOR REX is an independent record label whose challenging and experimental catalog, in vinyl and cassette format, spans from ambient to electronic experimentation, dub, and avant-garde. They publish the work of artists constantly exploring new sound territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others.\u003c\/p\u003e","brand":"P252","offers":[{"title":"Default Title","offer_id":43261948854472,"sku":"100100142510","price":910.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/Mercurio-1_231d30d8-0fc7-4817-83e3-2ca3cbc7759c.jpg?v=1709076765"},{"product_id":"100100142875","title":"BOOK \/ MUSIC AND REVOLUTION. Robin Moore","description":"\u003cp\u003e\u003cstrong\u003eHistory of Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEverything you've always wanted to know about Cuban music but were afraid to ask could be the reason for this book... Interesting and revealing, a valuable source of information.\u003c\/p\u003e\n\u003cp\u003eA spectacular study with extremely well-done research. Moore does a magnificent job revealing the subtle and abrupt cultural changes that have shaped Cuba's rich musical traditions, all without losing sight of the broader panorama of social change.\u003c\/p\u003e\n\u003cp\u003eTitle: Music and Revolution\u003cbr\u003eAuthor: Robin Moore\u003cbr\u003eNo. Pages: 320\u003cbr\u003eSize: 16 x 22 cm\u003cbr\u003eWeight: 850 grams\u003cbr\u003eGenre: History of Music\u003cbr\u003eLanguage: Spanish\u003cbr\u003eBinding: Paperback\u003cbr\u003ePublisher: Trilce\u003cbr\u003eYear: 2023\u003c\/p\u003e","brand":"C52","offers":[{"title":"Default Title","offer_id":44165469995208,"sku":"100100142875","price":555.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/trilce-musica-revolucion-1.jpg?v=1728948486"},{"product_id":"100100143004","title":"BOOK \/ SOUNDS OF MEXICO","description":"\u003cp\u003e\u003cstrong\u003eMUSIC \/ CULTURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSounds of Mexico is a journey through Mexican music, from pre-Hispanic times to the present day. A tribute to music, to musicians, and to the listeners who daily rejoice in the diversity of sounds that emerge from some speaker or even unexpectedly reach our minds. This book is a collection of texts, photographs, paintings, scores, and songs that tell the story of a country, marked by a constant back and forth between what is local and what is foreign, between the popular and the cultured, whose elements sooner or later, in one way or another, end up merging. In its various genres and manifestations, Mexican music remains linked to its roots, fantasies, and concerns. Brought to the world by the God of the Wind from the House of the Sun, it continues to brighten the lives of humankind, comforting their afflictions, and fostering dialogue with their hearts. Describing this mystery, and its development over the centuries in our country, is the goal of Sonidos de México. Publisher: Sexto Piso\u003c\/p\u003e\n\u003cp\u003eTitle: Sonidos de México\u003cbr\u003ePages: 480\u003cbr\u003eSize: 23 x 33 cm\u003cbr\u003eWeight: 2,500 grams\u003cbr\u003eGenre: Music\/Culture\u003cbr\u003eLanguage: Spanish\u003cbr\u003eBinding: Hardcover\u003cbr\u003ePublisher: Sexto Piso\u003cbr\u003eCo-published by: BBVA\u003cbr\u003eYear: 2024\u003c\/p\u003e","brand":"C45","offers":[{"title":"Default Title","offer_id":44594084479176,"sku":"100100143004","price":1150.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/libros-sonidos-1.jpg?v=1745441409"},{"product_id":"100100143021","title":"LP \/ IMS. ALGO-RITMO","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv class=\"w-full text-token-text-primary\" data-testid=\"conversation-turn-579\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eDOUBLE VINYL\u003cbr\u003eRelease Feb. 2024\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eThe latest is a compilation of the best of IMS + two new songs on double vinyl. This is the ultimate retrospective on Camilo Lara's Mexican Institute of Sound. 20 years of Cumbia, Punk Rock, Electronica, and Low-Fi direct from Mexico City. Includes two brand new tracks: Stop! featuring LA's Ceci Bastida, and Bolero featuring Esteman! from Colombia and Foudeqush from Mexico.\u003c\/p\u003e\n\u003cp\u003eProduced by Camilo Lara. Additional production \u0026amp;amp; Mix: Dan the Automator, Marco Carrion, Holger Beier, Frank “El Medico” Rodriguez, Robert Carranza, Mario Caldato Jr. Mastered by Frank “El Medico” Rodriguez\u003c\/p\u003e\n\u003cp\u003eAll songs by Camillo Lara (Camilo Lara, Mejico Maxico Songs, Concord Publishing, BMI) except: Write Me Soon, The Microphone, I Say Dance, Jalale. Alocatel. Cumbia, Poison Ivy, I Say Dance - Camilo Lara \u0026amp; Holger Beier. God - Camilo Lara \u0026amp; Sergio Mendoza. My America is not your America - Camilo Lara \u0026amp; Graham Coxon. Stop! - Camilo Lara \u0026amp; Ceci Bastida. Pa la Calle - Camilo Lara \u0026amp; Lorna. El Antidoto - Camilo Lara \u0026amp; Diana Sanmiguel. Yemaya - Camilo Lara \u0026amp; Gaby Moreno. Bolero - Camilo Lara \u0026amp; Esteman \u0026amp; Foudeqush\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_45c504efbda43340\" class=\"markdown markdown-main-panel response-optimization\"\u003e\n\u003cp data-sourcepos=\"3:1-3:66\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST \/ 1h. 22min\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e1 Escríbeme Pronto 03:09\u003cbr\u003e2 Mexico 03:46\u003cbr\u003e3 Dios 03:14\u003cbr\u003e4 El Microfono 03:34\u003cbr\u003e5 Yo Digo Baila 05:11\u003cbr\u003e6 Mi T-Shirt de la Nasa 03:00\u003cbr\u003e7 Stop! Featuring Ceci Bastida 02:38\u003cbr\u003e8 Pa´La Calle featuring Lorna 02:38\u003cbr\u003e9 El Antidoto featuring La Perla 03:02\u003cbr\u003e10 Es-Toy 03:19\u003cbr\u003e11 Yemaya featuring Gaby Moreno 04:05\u003cbr\u003e12 Mirando A las Muchachas 04:35\u003cbr\u003e13 Cumbia Bomba 03:39\u003cbr\u003e14 Jalale 02:57\u003cbr\u003e15 Dame un Besito 02:13\u003cbr\u003e16 My America is Not America feat Graham Coxon 05:12\u003cbr\u003e17 Alocatel 03:41\u003cbr\u003e18 Bolero featuring Foudeqush \u0026amp; Esteman 03:37\u003cbr\u003e19 Tipo Raro 03:40\u003cbr\u003e20 Cumbia 02:16\u003cbr\u003e21 Se Baila Así 03:36\u003cbr\u003e22 Hiedra Venenosa 02:51\u003cbr\u003e23 Se Compran 03:12\u003cbr\u003e24 El Jefe 03:16\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44640146260168,"sku":"100100143021","price":940.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/mis-algo-ritmo-0.jpg?v=1747853785"},{"product_id":"100100143134","title":"LP \/ AL SON DE BENO. ORIGINAL SOUNDTRACK","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv class=\"w-full text-token-text-primary\" data-testid=\"conversation-turn-579\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eArtist: Multiple\/Soundtrack\u003cbr\u003eTitle: Original SON track of the movie Beno's Son Record Label.\u003cbr\u003eTo the Sound of Beno Records\u003cbr\u003eGenre: Traditional\u003cbr\u003eFormat: 12\" black vinyl (double album)\u003cbr\u003e+ color booklet with lyrics + essay\u003cbr\u003eRelease Date: July 31, 2024\u003cbr\u003eFirst pressing of 500 copies.\u003cbr\u003eAlbum with liner notes by Josh Kun.\u003cbr\u003eMade in Mexico.\u003c\/p\u003e\n\u003cp\u003eOriginal SONTRACK from the film To the Sound of Beno. This album, currently nominated for a 2025 Grammy for Best Album Notes by Josh Kun, is the result of a recovery of the musical collections of the eminent Mexican musicologist Beno Lieberman, principally responsible for the legendary Anthology of the Son of Mexico in 1981. Field recordings of previously unreleased traditional music, discovered by his son Ilán, by previously unknown composers. The album includes 24 musical pieces from Beno's collection, from the first pirekuas recorded in Jarácuaro, Michoacán (circa) 1963, including Huastecan, Jarocho, and big harp sones from the Isthmus of Tehuantepec, three bluesy sones from the Costa Chica region by the incredible duo Damián-Calleja, and a song written and performed by Beno himself, recorded shortly before his death in 1985.\u003c\/p\u003e\n\u003cp\u003eThe color booklet contains the lyrics to all the songs and previously unknown photographs from his personal collection, as well as an insightful essay by Josh Kun.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_45c504efbda43340\" class=\"markdown markdown-main-panel response-optimization\"\u003e\n\u003cp data-sourcepos=\"3:1-3:66\"\u003e\u003ca rel=\"noopener\" title=\"spotify\" href=\"https:\/\/open.spotify.com\/album\/3Yl5zkuovigBsBL9xdYtYl?si=JKsBSe6CQqKmgJUVGma4gQ\" target=\"_blank\"\u003e\u003cstrong\u003eListen on Spotify\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-sourcepos=\"3:1-3:66\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA JOSEFINITA\u003c\/strong\u003e –Antonio de la Cruz, Tomás de Jesús.\u003cbr\u003eNarración: Sergio Guzik. Jarácuaro, Michoacán • Circa 1963\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA SANDUNGA\u003c\/strong\u003e –Guitarra y voz: Bolívar.\u003cbr\u003e“El pesebre”, Ciudad de México • Septiembre de 1964\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA PASIÓN\u003c\/strong\u003e –Trío Tamazunchale.\u003cbr\u003eViolín: Carlos Castillo Villeda, Huapanguera y voz: Salvador Arteaga Pérez,\u003cbr\u003eJarana y voz: Juan Delgado Ramírez.\u003cbr\u003eTampico, Tamaulipas • 25 de marzo de 1978\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA INDITA\u003c\/strong\u003e –Jarana y voz: Daniel Cabrera Delgado.\u003cbr\u003eMandinga, Veracruz • 1 de noviembre de 1983\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA PETENERA\u003c\/strong\u003e –Jarana y voz: Daniel Cabrera Delgado. Mandinga, Veracruz\u003cbr\u003e1 de noviembre de 1983\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA MALAGUEÑA\u003c\/strong\u003e –Los Marineros de Apatzingán.\u003cbr\u003ePrimer violín: Jesús Espinoza Mendoza. Segundo violín: Paulo Naranjo Rodríguez. Arpa: Rafael Zavala Chávez. Guitarra de golpe: José Cuevas Contreras. Vihuela: José Espinosa Valencia. Apatzingán, Michoacán • 28 de diciembre de 1977\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEL BEJUQUITO\u003c\/strong\u003e –Los Cantores de la Sierra. Violín: Fortino Hernández. Huapanguera y voz: Marcos Hernández. Jarana y voz: Joel Monroy. Ciudad Valles, San Luís Potosí • 31 de diciembre de 1971\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLOS CHILES VERDES (TOMA I)\u003c\/strong\u003e –Jarana: Abacúm Fernández Tamariz, Huapanguera: Reveriano Soto Gaona. María Andrea\u003cbr\u003ePuebla • 12 de septiembre de 1975\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLOS CHILES VERDES (TOMA II)\u003c\/strong\u003e –Jarana: Abacúm Fernández Tamariz, Huapanguera: Reveriano Soto Gaona. María Andrea\u003cbr\u003ePuebla • 12 de septiembre de 1975\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA MARIQUITA\u003c\/strong\u003e Conjunto de Bardomiano Flores.\u003cbr\u003eViolín: Bardomiano Flores Frías.\u003cbr\u003eGuitarra y voz: Nicolás Salmerón García. Guitarra: Fabián Arévalo Balandrano. Guitarra y voz: Leoncio Balandrano Alonso. Tamborita: Fausto Rojas Martínez. Tlapehuala, Guerrero • 26 de febrero de 1978\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA ROSITA\u003c\/strong\u003e –Natalia Valdéz Flores con el Trío Renacimiento Huasteco.\u003cbr\u003eViolín: Aureliano Orta. Huapanguera: Leonardo Reyes Domínguez.\u003cbr\u003eJarana: Damián Rivera Gómez. Pánuco, Veracruz • 22 de marzo de 1978\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMI BIEN YO NECESITO\u003c\/strong\u003e –Bajo quinto y segunda voz: Francisco “Chico” Damián. Primera voz: Ciro Calleja. Copala, Guerrero • 3 de febrero de 1974\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePAJARILLO JILGUERO\u003c\/strong\u003e –Bajo quinto y segunda voz: Francisco “Chico” Damián. Primera voz: Ciro Calleja. Copala\u003cbr\u003eGuerrero • 30 de diciembre de 1972\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE C\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLA MALAGUEÑA CURREÑA\u003c\/strong\u003e –Los Hermanos Molina. Guitarra sexta y voz: Francisco Molina Gallardo, Julián Molina Gallardo y Macario Molina Gallardo. \u003cbr\u003eCruz Grande, Guerrero • 1 de febrero de 1974\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA MALAGUEÑA CURREÑA\u003c\/strong\u003e –Guitarra sexta y voz: Ismael Añorve.\u003cbr\u003eCuajinicuilapa, Guerrero • 5 de febrero de 1974\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA LLORONA\u003c\/strong\u003e –Requinto y voz: Fortino Barroso.\u003cbr\u003eGuitarra sexta y voz: Porfirio Romero.\u003cbr\u003eSanto Domingo Tehuantepec, Oaxaca • 7 de febrero de 1981\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA MARTINIANA\u003c\/strong\u003e –Requinto y segunda voz: Alberto Ríos Ojeda.\u003cbr\u003eGuitarra sexta y primera voz: Plutarco Ríos Ojeda\u003cbr\u003eSalina Cruz, Oaxaca • 8 de febrero 1981\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA MORENITA ENCANTADORA\u003c\/strong\u003e –Bajo quinto y segunda voz: Francisco “Chico” Damián. Primera voz: Ciro Calleja\u003cbr\u003eCopala, Guerrero • 3 de febrero de 1974\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE D\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEL SUBE Y BAJA\u003c\/strong\u003e –Los Rayos del Norte. “El pesebre”\u003cbr\u003eCiudad de México • Agosto de 1963\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEL GALLO DE ORO\u003c\/strong\u003e –Conjunto Venezuela (Los Colorámicos).\u003cbr\u003e“El pesebre”, Ciudad de México • Mayo 1963\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEL CAIMÁN\u003c\/strong\u003e –Trío Guastepán. Violín: Raúl Guzmán Tolentino.\u003cbr\u003eHuapanguera: Jesús Aleksander Gómez Ortiz. Jarana: Carlos Guzmán Tolentino.\u003cbr\u003ePánuco, Veracruz • 14 de mayo de 2021\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLA PASIÓN\u003c\/strong\u003e –Trío los Rancheros del Pánuco. Violín: Genaro Martínez Alonso.\u003cbr\u003eJarana y voz: Rafael Gómez Rocha. Huapanguera y voz: Adolfo Hernández Pérez.\u003cbr\u003ePánuco, Veracruz • 20 de septiembre de 1974\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHANGSMAN\u003c\/strong\u003e –Guitarra y voz: John Joast. “El pesebre”\u003cbr\u003eCiudad de México • 29 de abril de 1964\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSHMA BNI \u003c\/strong\u003e–Composición, arreglos, guitarra y voz: Beno Lieberman.\u003cbr\u003eViolín: Adir Askalón. Tecamachalco, Estado de México • Circa 1984\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"C67","offers":[{"title":"Default Title","offer_id":44690318590152,"sku":"100100143134","price":1200.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/lp-son-de-beno-1_45102318-10ad-4342-836f-0009de8945e0.jpg?v=1750957656"},{"product_id":"100100143168","title":"LP \/ IMS. D.F.","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv class=\"w-full text-token-text-primary\" data-testid=\"conversation-turn-579\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eInstituto Mexicano del Sonido\u003cbr\u003eLanzamiento Julio 2025\u003cbr\u003eMÉXICO\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_6c8eebe12280e260\" class=\"markdown markdown-main-panel response-optimization\"\u003e\n\u003cp class=\"MsoNormal\"\u003eSu álbum más reciente DF presenta colaboraciones con: Dan The Automator (Gorillaz), Graham Coxon (Blur), Sergio Mendoza, Duckwrth, BIA, Cuco, Banda Misteriosa, La Perla de Colombia. “Mi disco favorito del año” - David Gilmour “Camilo es un conoisseur de la música que sabe mucho de muchas cosas raras” - Mike D (Beastie Boys) “El Herb Alpert mexicano” - Ed O’Brien (Radiohead)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eEl Instituto Mexicano del Sonido, proyecto de Camilo Lara, crea beats irresistibles para las pistas de baile globales. Ya sea su casa en la CDMX, Sao Paulo, Lagos, Mumbai o Nueva York, la música de Camilo es el sonido de las nuevas capitales de la cultura mundial, haciendo eco en la noche. Temerario y luminoso, sus shows en vivo sólo pueden ser descritos como actuaciones de punk que revientan los escenarios siempre que se presentan. Esta particularidad lo ha llevado a tocar alrededor del mundo, en cada uno de los continentes.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSu trabajo le ha dado 1 Grammy y 4 nominaciones a los Grammy Latinos, y ha producido a artistas que van desde Los Ángeles Azules (haciendo el disco mexicano mejor vendido en los últimos 25 años con 8 certificaciones de diamante), Lila Downs, Norah Jones y Band of Horses. Ha remezclado a Beck, a los Beastie Boys, Interpol y muchos otros artistas. Ha colaborado con una gran cantidad de músicos como Cuco, Ludmilla, Bonde do Rolé, Sly \u0026amp; Robbie, Toots ant the Maytails, Gogol Bordello o Tom Tom Club. Es el locutor de su propia estación de radio en el videojuego más vendido de todos los tiempos: Grand Theft Auto V. Fue el consultor musical para Coco de Pixar (¡donde incluso tuvo un cameo!), y su música ha aparecido en Narcos, Breaking Bad, Y tu mamá también, Californitacion, Ugly Betty, por nombrar algunos lugares. Numerosas marcas han usado su música para grandes campañas en los Estados Unidos, incluyendo Apple, Target, H\u0026amp;M, Lexus y Best Buy. El País lo nombró una de las “50 personas más influyentes en Latinoamérica”. La revista Quién lo nombró una de las “50 personas que están transformando en México. Y siempre se mantiene ocupado.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_45c504efbda43340\" class=\"markdown markdown-main-panel response-optimization\"\u003e\n\u003cp data-sourcepos=\"3:1-3:66\"\u003e\u003ca rel=\"noopener\" title=\"spotify\" href=\"https:\/\/open.spotify.com\/album\/6ojf6Hfhj5NtQLRMiCRaFt?si=eXEbkWsRQ7qcp-6B0nrcWA\" target=\"_blank\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1 Se Compran 03:12\u003cbr\u003e2 Dios 03:13\u003cbr\u003e3 El Antídoto 03:01\u003cbr\u003e4 La Luna de Noviembre 02:42\u003cbr\u003e5 Vamos feat. BIA, Duckwrth 02:52\u003cbr\u003e6 My America Is Not Your America feat. Graham Coxon 05:06\u003cbr\u003e7 La Balada de la Aspirina 03:13\u003cbr\u003e8 Cruzando el Rio feat. Joe Crepusculo 03:48\u003cbr\u003e9 Paloma feat Cuco 03:34\u003cbr\u003e10 The Lunatics feat Banda Misteriosa 02:06\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44691966034120,"sku":"100100143168","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/mis-df-1.jpg?v=1751052424"},{"product_id":"100100143203","title":"LIBRO \/ REGGAETÓN UNA REOLUCIÓN LATINA. Pablito Wilson","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMúsica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eQué es reggaetón? ¿Qué no lo es? ¿De dónde viene? ¿Puerto Rico o Panamá? Si el reggaetón es el nuevo pop, ¿qué es el trap? ¿Cuáles son las claves de su industria? ¿Cómo ha afectado a esta la pandemia? ¿Qué sucede en la escena española? Este ensayo es una aproximación pionera, tan rigurosa como entusiasta, a la historia y sociología del género musical urbano por excelencia; que lo conecta con otras músicas como el reggae y el hip hop (naturalmente), el pop, el rock, la salsa, el bolero; y con temáticas vigentes que exceden (o no) al reggaetón; la vida en las calles, las rivalidades artísticas, el revolucionario papel ocupado por las mujeres en la actualidad, la industria donde circula la música y desde luego, las raíces. Los fundamentos de la perreología, por uno de sus mejores conocedores.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTítulo: Reggaetón, una revolución latina\u003cbr\u003eAutor: Pablito Wilson\u003cbr\u003eN. Páginas: 360\u003cbr\u003eTamaño: 14 x 21 cm\u003cbr\u003ePeso: 600 gramos\u003cbr\u003eGénero: Música\u003cbr\u003eIdioma: Español\u003cbr\u003eEncuadernación: Pasta dura\u003cbr\u003e\u003cspan\u003eEditorial: Liburuak\u003cbr\u003e\u003c\/span\u003eAño: 2022\u003c\/p\u003e","brand":"C45","offers":[{"title":"Default Title","offer_id":44700530245832,"sku":"100100143203","price":875.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/libros-reggaeton-1.jpg?v=1752157857"},{"product_id":"1001001432419","title":"LP \/ Coatshek - Sound Baths","description":"\u003cdiv class=\"markdown markdown-main-panel enable-updated-hr-color\" id=\"model-response-message-contentr_4f4297bc482b9b96\" dir=\"ltr\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eSound Bath\u003c\/i\u003e de Coatshek: Música para un Baño de Vapor Queer Imaginario\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLa ya extinta marca de poppers \u003cb\u003eDouble Scorpio\u003c\/b\u003e encargó a varios artistas la creación de mezclas para un balneario \u003ci\u003equeer\u003c\/i\u003e imaginario. Cuando se le pidió que contribuyera, el artista radicado en San Francisco \u003cb\u003eCoatshek\u003c\/b\u003e, también conocido como \u003cb\u003eSheki Cicelsky\u003c\/b\u003e, aprovechó la oportunidad para crear composiciones originales.\u003c\/p\u003e\n\u003cp\u003eEl álbum resultante, \u003cb\u003e\u003ci\u003eSound Bath\u003c\/i\u003e\u003c\/b\u003e, es una clase magistral de \u003ci\u003eambient techno\u003c\/i\u003e lento y sensual. Inspirándose en \u003cb\u003ePink Floyd\u003c\/b\u003e, en el \u003ci\u003eE2-E4\u003c\/i\u003e de \u003cb\u003eManuel Göttsching\u003c\/b\u003e, y en los \u003ci\u003eDJ mixes\u003c\/i\u003e de sus amigos (particularmente los de \u003cb\u003eNick Moss\u003c\/b\u003e y \u003cb\u003eMatthew Paul\u003c\/b\u003e para la serie “Por Detroit”), Coatshek se decantó por \u003cb\u003e107 bpm\u003c\/b\u003e como la velocidad óptima para el sexo en la sauna.\u003c\/p\u003e\n\u003cp\u003eCon solo unos pocos sintetizadores, su guitarra \u003cb\u003eTelecaster\u003c\/b\u003e y “muchos \u003ci\u003edelays\u003c\/i\u003e, \u003ci\u003ereverb\u003c\/i\u003e y hierba,” esculpió cortes asombrosos como el fluido y rítmico \u003cb\u003e“Softest”\u003c\/b\u003e y el de toques psicodélicos \u003cb\u003e“Triple Virgo”\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eLa portada de \u003cb\u003e\u003ci\u003eSound Bath\u003c\/i\u003e\u003c\/b\u003e fue diseñada por el prometido de Coatshek, \u003cb\u003eNate Sprecher\u003c\/b\u003e, y presenta fotografías tomadas por \u003cb\u003eLuke Kraman\u003c\/b\u003e en el campamento \u003ci\u003eThe Ever Afters\u003c\/i\u003e. El álbum también incluye un encarte con el arte de la serie \u003ci\u003eDouble Scorpio SoundBaths\u003c\/i\u003e de \u003cb\u003eBlake Wright\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003eIgualmente hipnagógico y sexualmente sobrecargado, \u003cb\u003e\u003ci\u003eSound Bath\u003c\/i\u003e\u003c\/b\u003e sitúa el balneario como un \u003cb\u003eespacio de ensueño liminal\u003c\/b\u003e de ilimitada potencialidad erótica.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!----\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/3mhoSPCEidFSSj3Fwvzyr1?si=VcqwqWc3T-G4mK8FEEeI3g\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783982411976,"sku":"1001001432419","price":770.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP-Coatshek---Sound-Baths-1.jpg?v=1760384888"},{"product_id":"1001001432420","title":"LP \/ Codek ‎– Closer \/ Tam Tam","description":"\u003cp\u003e\u003cb\u003eCodek\u003c\/b\u003e es la creación de \u003cb\u003eJean-Marie Salaun\u003c\/b\u003e, quien creció en París influenciado por el folclore del centro de la ciudad. En 1978, se unió al grupo de art rock \u003cb\u003eSpionS\u003c\/b\u003e junto a Gregory Davidow y grabaron dos sencillos. Al sumergirse en la escena post-punk de París, conoció a \u003cb\u003eClaude Arto\u003c\/b\u003e y diseñó el arte para el sencillo de Claude en Celluloid, \u003ci\u003e\"Kwai Systeme \/ Betty Boop\"\u003c\/i\u003e.\u003cb\u003eRobin Scott\u003c\/b\u003e (de M, famoso por \u003ci\u003e\"Pop Music\"\u003c\/i\u003e) había producido el primer sencillo de SpionS y quería seguir colaborando. Junto a Claude, Jean-Marie escribió \u003ci\u003e\"Me Me Me\"\u003c\/i\u003e, pensado para un coro, para M. Luego, SpionS se separó y Robin se fue a Suiza para grabar un álbum de seguimiento a su exitoso sencillo. Esto dejó a Jean-Marie solo en Londres, donde comenzó a trabajar como \u003cb\u003eCodek\u003c\/b\u003e, un juego de palabras con la marca Kodak. El sencillo \u003ci\u003e\"Me Me Me\"\u003c\/i\u003e fue lanzado por MCA Records en 1980.De vuelta en París, y con algo de experiencia en estudio, \u003cb\u003eCelluloid Records\u003c\/b\u003e contrató a Jean-Marie para producir discos para Artefact y Les Orphelins. Durante los siguientes 2 años, comenzó a trabajar en ideas para el próximo sencillo de Codek: \u003ci\u003e\"Closer\" \/ \"Tam Tam\"\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLa Creación de \"Closer\" y \"Tam Tam\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\"Closer\"\u003c\/b\u003e comenzó como una línea de bajo eléctrico tocada por Jean-Marie. Claude Arto secuenció los sintetizadores flotantes. \u003cb\u003eLaurent Grangier\u003c\/b\u003e y \u003cb\u003eFrédéric Lapierre\u003c\/b\u003e, de la banda de reggae Immigration Act, tocaron los metales. La letra \u003ci\u003e\"Hard to say. Easy to do. We don’t need to say what we do\"\u003c\/i\u003e (Difícil de decir. Fácil de hacer. No necesitamos decir lo que hacemos) era una declaración sobre la creación como narración que expresaba el hastío de Jean-Marie: \u003ci\u003e\"Estoy cansado de eso.\"\u003c\/i\u003e\u003cb\u003e\"Tam Tam\"\u003c\/b\u003e se inspiró en los percusionistas de Burundi que tocaban en la plaza frente a Beaubourg, donde se grabó la canción. Jean-Marie reclutó a uno de los bateristas del círculo, \u003cb\u003eGeorges Atta Dikalo\u003c\/b\u003e, para grabar la percusión de la canción. Las cantantes femeninas eran del Caribe francés y añadieron cánticos tribales en falsete. JM formaba parte de la escena nocturna africana en París, remezclando \u003ci\u003e\"Kanu\"\u003c\/i\u003e de Xalam y \u003ci\u003e\"Salaly Muhamed\"\u003c\/i\u003e de Touré Kunda. Claude logró complejos patrones rítmicos utilizando un sintetizador modular y un procesamiento intenso. Jean-Marie se grabó golpeándose el pecho para los sonidos de golpes sordos (\u003ci\u003ethump noises\u003c\/i\u003e).La grabación de \u003ci\u003e\"Tam Tam\"\u003c\/i\u003e y \u003ci\u003e\"Closer\"\u003c\/i\u003e se extendió a lo largo de dos años. Comenzaron en 16 pistas en \u003cb\u003eStudio d’Auteuil\u003c\/b\u003e, donde JM reventó los \u003ci\u003ewoofers\u003c\/i\u003e, antes de reanudar en \u003cb\u003eStudio Centre Georges Pompidou\u003c\/b\u003e con una grabadora adicional de 8 pistas. Jean-Marie estaba produciendo otras bandas, y gran parte de esto se grabó en tiempo de estudio \"prestado\".\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanzamiento y Legado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEl sencillo fue lanzado en 1981 en \u003cb\u003eWest African Music\u003c\/b\u003e, un pequeño sello discográfico de Costa de Marfil, y fue reeditado un año después por \u003cb\u003eIsland Records\u003c\/b\u003e en el Reino Unido (donde la cara B fue rebautizada como \u003ci\u003e\"Tim Toum\"\u003c\/i\u003e). Ambas pistas fueron esenciales en los sets de DJ de \u003cb\u003eBeppe Loda\u003c\/b\u003e y \u003cb\u003eDaniele Baldelli\u003c\/b\u003e, encontrando un hogar espiritual en la escena \u003cb\u003eCósmica\u003c\/b\u003e de Italia.Ambas canciones han sido remasterizadas para vinilo por \u003cb\u003eGeorge Horn\u003c\/b\u003e en Fantasy Studios en Berkeley. La funda es una réplica exacta de la edición de 1981 con ilustraciones de \u003cb\u003eAngela Boy\u003c\/b\u003e, inspiradas en la electrónica primitiva y las pinturas africanas. Cada copia incluye un encarte a doble cara con fotos y notas de \u003cb\u003eJean-Marie Salaun\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/0yNFSSqSwNVw6xHfTh3MZV?si=WysvRS4WRlCCDh8x4M4rnA\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783984017608,"sku":"1001001432420","price":470.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Codek-_-Closer---Tam-Tam-1.jpg?v=1760385094"},{"product_id":"1001001432422","title":"EP \/ Misty Lane - Energy","description":"\u003cp\u003e\u003cstrong\u003eMisty Lane\u003c\/strong\u003e llega a \u003cstrong\u003eDark Entries\u003c\/strong\u003e con una dosis de \u003cstrong\u003eelectro disco quebequense\u003c\/strong\u003e tan excéntrica como encantadora. En \u003cstrong\u003e1983\u003c\/strong\u003e, los productores \u003cstrong\u003eMichel Bibeau\u003c\/strong\u003e —conocido por su trabajo en \u003cem\u003ePluton \u0026amp; Humanoids – “World Invasion”\u003c\/em\u003e— y \u003cstrong\u003eFitz Roy\u003c\/strong\u003e (alias \u003cstrong\u003eRalph Mashats\u003c\/strong\u003e) se unieron a la cantante \u003cstrong\u003eElaine Desjardins\u003c\/strong\u003e, la voz detrás del nombre \u003cstrong\u003eMisty Lane\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMashats recuerda haber llevado su \u003cstrong\u003eRoland TR-808\u003c\/strong\u003e y \u003cstrong\u003eTB-303\u003c\/strong\u003e al \u003cstrong\u003eStudio 21 de Michel\u003c\/strong\u003e en St. Eustache, dos máquinas que, según él mismo bromea, luego vendió “por una rebanada de pan.” Bibeau aportó los ganchos melódicos con su \u003cstrong\u003eRoland Jupiter-4\u003c\/strong\u003e y una buena dosis de efectos de estudio.\u003c\/p\u003e\n\u003cp\u003eDe esas sesiones surgieron \u003cstrong\u003e“Energy”\u003c\/strong\u003e y \u003cstrong\u003e“Contrôle,”\u003c\/strong\u003e dos piezas de \u003cstrong\u003esynthpop elegante\u003c\/strong\u003e con un toque inconfundiblemente franco-canadiense.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Energy”\u003c\/strong\u003e brilla con \u003cem\u003evibes proto-house\u003c\/em\u003e, impulsada por las percusiones precisas de la 808 y la voz ingenua pero entusiasta de Desjardins, perfectamente a tono con los \u003cem\u003emixes\u003c\/em\u003e de \u003cstrong\u003eWBMX Radio\u003c\/strong\u003e de mediados de los 80.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Contrôle”\u003c\/strong\u003e, en cambio, es un tema de medio tempo con aires tropicales y una sensualidad contenida, que encajaría sin problemas junto a \u003cem\u003e“Dance to the Music”\u003c\/em\u003e de \u003cstrong\u003eJunior Byron\u003c\/strong\u003e, otra producción de Bibeau.\u003c\/p\u003e\n\u003cp\u003eEl sencillo \u003cstrong\u003eEnergy\u003c\/strong\u003e se presenta en una portada que muestra a \u003cstrong\u003eElaine en el legendario Chivas Club de Montreal\u003c\/strong\u003e. Para los fanáticos del \u003cstrong\u003eItalo disco\u003c\/strong\u003e, el \u003cstrong\u003edisco canadiense\u003c\/strong\u003e y los sonidos \u003cem\u003ewave\u003c\/em\u003e más peculiares, estas joyas son \u003cstrong\u003euna cápsula de tiempo irresistible\u003c\/strong\u003e: una combinación perfecta de ingenio, sintetizadores y espíritu DIY que captura la efervescencia del underground de Quebec en los años 80.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/2gD9I52KNUTQN0CvjnwkGh?si=rcCABCc9Sa6ieZ_wiyVBSw\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783986213064,"sku":"1001001432422","price":570.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Misty-Lane---Energy-1.jpg?v=1760385603"},{"product_id":"1001001432424","title":"LP \/ Patrick Cowley - Muscle Up 2xLP","description":"\u003cp\u003e\u003cstrong\u003eDark Entries\u003c\/strong\u003e y \u003cstrong\u003eHoney Soundsystem Records\u003c\/strong\u003e se han unido nuevamente para lanzar otro volumen de \u003cstrong\u003ebandas sonoras de cine porno gay\u003c\/strong\u003e compuestas por el músico y productor radicado en San Francisco, \u003cstrong\u003ePatrick Cowley\u003c\/strong\u003e. Considerado uno de los personajes más revolucionarios e influyentes del canon de la música disco, Cowley creó su propio estilo de \u003cem\u003eHi-NRG\u003c\/em\u003e al que llamó \u003cstrong\u003e“The San Francisco Sound”\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eNacido en \u003cstrong\u003eBúfalo, Nueva York\u003c\/strong\u003e, el 19 de octubre de 1950, Patrick se mudó a \u003cstrong\u003eSan Francisco\u003c\/strong\u003e a los 21 años. Estudió en el \u003cstrong\u003eCity College of San Francisco\u003c\/strong\u003e, donde fundó el \u003cstrong\u003eElectronic Music Lab\u003c\/strong\u003e. Durante ese tiempo, junto con sus compañeros \u003cstrong\u003eMaurice Tani\u003c\/strong\u003e y \u003cstrong\u003eArt Adcock\u003c\/strong\u003e, Cowley componía jingles radiales y piezas electrónicas usando el equipo de la escuela: primero un Putney, luego un sistema \u003cstrong\u003eE-MU\u003c\/strong\u003e, y finalmente un sintetizador \u003cstrong\u003eSerge\u003c\/strong\u003e. Creaba bandas sonoras experimentales mezclando diversos estilos musicales y adaptándolos al sintetizador.\u003c\/p\u003e\n\u003cp\u003eA mediados de los 70, sus habilidades con los sintetizadores lo llevaron a trabajar componiendo y produciendo canciones para la superestrella del disco \u003cstrong\u003eSylvester\u003c\/strong\u003e, incluidos los éxitos \u003cem\u003e“You Make Me Feel (Mighty Real)”\u003c\/em\u003e, \u003cem\u003e“Dance Disco Heat”\u003c\/em\u003e y \u003cem\u003e“Stars”\u003c\/em\u003e. Este éxito le abrió la puerta a más trabajos como \u003cstrong\u003eproductor y remezclador\u003c\/strong\u003e, destacando su \u003cstrong\u003eremix de 18 minutos de “I Feel Love”\u003c\/strong\u003e de \u003cstrong\u003eDonna Summer\u003c\/strong\u003e y su trabajo con la innovadora banda \u003cem\u003enew wave\u003c\/em\u003e \u003cstrong\u003eIndoor Life\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePara 1981, Patrick ya había lanzado varios sencillos de 12 pulgadas como \u003cem\u003e“Menergy”\u003c\/em\u003e y \u003cem\u003e“Megatron Man”\u003c\/em\u003e. Ese mismo año fundó \u003cstrong\u003eMegatone Records\u003c\/strong\u003e y publicó su álbum debut, \u003cem\u003eMenergy\u003c\/em\u003e. Poco después fue hospitalizado y diagnosticado con una enfermedad hasta entonces desconocida: \u003cstrong\u003eel SIDA\u003c\/strong\u003e. En 1982 grabó dos nuevos éxitos \u003cem\u003eHi-NRG\u003c\/em\u003e: \u003cem\u003e“Do You Wanna Funk”\u003c\/em\u003e para Sylvester y \u003cem\u003e“Right On Target”\u003c\/em\u003e para Paul Parker, además de su segundo álbum en solitario, \u003cem\u003eMind Warp\u003c\/em\u003e. Patrick falleció el \u003cstrong\u003e12 de noviembre de 1982\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEn \u003cstrong\u003e1979\u003c\/strong\u003e, \u003cstrong\u003eJohn Coletti\u003c\/strong\u003e, dueño de la legendaria productora de cine porno gay \u003cstrong\u003eFox Studio\u003c\/strong\u003e en Los Ángeles, contactó a Patrick para que escribiera música para sus películas. Cowley aceptó de inmediato y envió varias cintas con composiciones universitarias de los años 70. Coletti utilizó un oscilador de velocidad variable para ajustar el tono y el ritmo de las canciones al compás de las escenas.\u003c\/p\u003e\n\u003cp\u003eEl resultado fue \u003cstrong\u003e“Muscle Up”\u003c\/strong\u003e, una colección de temas instrumentales grabados entre \u003cstrong\u003e1973 y 1980\u003c\/strong\u003e y hallados en los archivos de Fox Studio. Esta compilación también incluye composiciones adicionales descubiertas en el sótano del dueño de Megatone Records, \u003cstrong\u003eJohn Hedges\u003c\/strong\u003e, y en el ático de su antiguo compañero de banda, \u003cstrong\u003eMaurice Tani\u003c\/strong\u003e. Influido por \u003cstrong\u003eTomita\u003c\/strong\u003e, \u003cstrong\u003eWendy Carlos\u003c\/strong\u003e y \u003cstrong\u003eGiorgio Moroder\u003c\/strong\u003e, Patrick creó un sonido electrónico único con su colección de sintetizadores, percusión, guitarras modificadas y equipo construido por él mismo.\u003c\/p\u003e\n\u003cp\u003eEl oyente entra en un mundo de \u003cstrong\u003evicios prohibidos\u003c\/strong\u003e que evocan la vida nocturna y los baños públicos de San Francisco. Las piezas de \u003cem\u003e“Muscle Up”\u003c\/em\u003e muestran otra faceta del trabajo de Cowley: desde un \u003cstrong\u003eviaje ambiental por la Amazonia\u003c\/strong\u003e, pasando por la versión instrumental y demo de la hipnótica \u003cem\u003e“I Need Somebody To Love Tonight”\u003c\/em\u003e, hasta explosivos temas de \u003cstrong\u003espace-funk\u003c\/strong\u003e y exploraciones \u003cstrong\u003einterestelares\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCon \u003cstrong\u003e75 minutos de música\u003c\/strong\u003e, esta compilación reúne bandas sonoras de dos películas de Fox Studio —\u003cem\u003e“Muscle Up”\u003c\/em\u003e y \u003cem\u003e“School Daze”\u003c\/em\u003e— además de temas adicionales de la misma época, \u003cstrong\u003enunca antes editados en vinilo\u003c\/strong\u003e. Las cintas fueron restauradas y transferidas respetando las configuraciones originales de velocidad y tono, y luego \u003cstrong\u003eremasterizadas por George Horn\u003c\/strong\u003e en \u003cstrong\u003eFantasy Studios\u003c\/strong\u003e (Berkeley, California).\u003c\/p\u003e\n\u003cp\u003eLa portada, diseñada por el artista berlinés \u003cstrong\u003eGwenaël Rattke\u003c\/strong\u003e, acompaña un \u003cstrong\u003edoble vinilo\u003c\/strong\u003e que incluye un \u003cstrong\u003epóster promocional brillante de 8x11 pulgadas\u003c\/strong\u003e, réplica del arte original del VHS, y un \u003cstrong\u003eensayo de Maurice Tani\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePara el \u003cstrong\u003e65.º aniversario de Patrick Cowley\u003c\/strong\u003e, \u003cem\u003eDark Entries\u003c\/em\u003e y \u003cem\u003eHoney Soundsystem Records\u003c\/em\u003e presentan una \u003cstrong\u003emirada al mundo futurista de un joven genio\u003c\/strong\u003e. Estas grabaciones revelan el \u003cstrong\u003elado experimental de una leyenda del disco\u003c\/strong\u003e que se fue demasiado pronto.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/4fYwlMk0FugI6EB3vZFyQR?si=3aYFSO8pSBWN2THnwpfRiQ\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783988834504,"sku":"1001001432424","price":870.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Patrick-Cowley---Muscle-Up-1.jpg?v=1760386240"},{"product_id":"lp-patrick-cowley-school-daze-2xlp","title":"LP \/ Patrick Cowley – School Daze 2xLP","description":"\u003cp\u003e\u003cstrong\u003eDark Entries\u003c\/strong\u003e y \u003cstrong\u003eHoney Soundsystem\u003c\/strong\u003e se han unido para lanzar las bandas sonoras de cine porno gay compuestas por el músico y productor radicado en San Francisco, \u003cstrong\u003ePatrick Cowley\u003c\/strong\u003e. Considerado uno de los personajes más revolucionarios e influyentes del canon de la música disco, Cowley creó su propio estilo de \u003cem\u003eHi-NRG\u003c\/em\u003e al que llamó \u003cstrong\u003e“The San Francisco Sound”\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eNacido en \u003cstrong\u003eBúfalo, Nueva York\u003c\/strong\u003e, el 19 de octubre de 1950, Patrick se mudó a \u003cstrong\u003eSan Francisco\u003c\/strong\u003e a los 21 años. Estudió en el \u003cstrong\u003eCity College of San Francisco\u003c\/strong\u003e, donde fundó el \u003cstrong\u003eElectronic Music Lab\u003c\/strong\u003e. Durante esa etapa, Cowley componía jingles radiales y piezas electrónicas con el equipo de la escuela: primero un Putney, luego un sistema E-MU y finalmente un sintetizador Serge. Creaba temas instrumentales experimentales combinando distintos estilos musicales y adaptándolos al sintetizador.\u003c\/p\u003e\n\u003cp\u003eA mediados de los años 70, sus habilidades con los sintetizadores le valieron trabajo componiendo y produciendo temas para la superestrella del disco \u003cstrong\u003eSylvester\u003c\/strong\u003e, como \u003cem\u003e“You Make Me Feel (Mighty Real)”\u003c\/em\u003e, \u003cem\u003e“Dance Disco Heat”\u003c\/em\u003e y \u003cem\u003e“Stars”\u003c\/em\u003e. Este éxito le abrió más puertas como \u003cstrong\u003eproductor y remezclador\u003c\/strong\u003e, destacando su célebre \u003cstrong\u003eversión de 18 minutos\u003c\/strong\u003e de \u003cem\u003e“I Feel Love”\u003c\/em\u003e de \u003cstrong\u003eDonna Summer\u003c\/strong\u003e y su trabajo con la vanguardista banda \u003cem\u003enew wave\u003c\/em\u003e \u003cstrong\u003eIndoor Life\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEn 1981, Patrick lanzó varios sencillos de 12 pulgadas como \u003cem\u003e“Menergy”\u003c\/em\u003e y \u003cem\u003e“Megatron Man”\u003c\/em\u003e, creando \u003cstrong\u003ela banda sonora de toda una generación\u003c\/strong\u003e. Ese mismo año fundó \u003cstrong\u003eMegatone Records\u003c\/strong\u003e y publicó su álbum debut. Sin embargo, poco después fue hospitalizado y diagnosticado con una enfermedad desconocida en ese momento: \u003cstrong\u003eel SIDA\u003c\/strong\u003e. Antes de su fallecimiento, el \u003cstrong\u003e12 de noviembre de 1982\u003c\/strong\u003e, aún alcanzó a grabar dos éxitos más de \u003cem\u003eHi-NRG\u003c\/em\u003e: \u003cem\u003e“Do You Wanna Funk”\u003c\/em\u003e para \u003cstrong\u003eSylvester\u003c\/strong\u003e y \u003cem\u003e“Right On Target”\u003c\/em\u003e para \u003cstrong\u003ePaul Parker\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEn 1981, \u003cstrong\u003eJohn Coletti\u003c\/strong\u003e, dueño de la legendaria productora de cine porno gay \u003cstrong\u003eFox Studio\u003c\/strong\u003e en Los Ángeles, contactó a Patrick tras escuchar su música gracias a Sylvester. Le propuso componer bandas sonoras para sus películas. Cowley aceptó de inmediato y envió varias cintas con composiciones universitarias de los años 70. Coletti ajustó el tono y la velocidad de las piezas con un oscilador de velocidad variable para sincronizarlas con las escenas.\u003c\/p\u003e\n\u003cp\u003eEl resultado fue \u003cstrong\u003e“School Daze”\u003c\/strong\u003e, una colección de temas instrumentales de Cowley grabados entre \u003cstrong\u003e1973 y 1981\u003c\/strong\u003e y recuperados de los archivos de \u003cstrong\u003eFox Studio\u003c\/strong\u003e. Influido por \u003cstrong\u003eTomita\u003c\/strong\u003e, \u003cstrong\u003eWendy Carlos\u003c\/strong\u003e y \u003cstrong\u003eGiorgio Moroder\u003c\/strong\u003e, Patrick creó un sonido electrónico único con su colección de sintetizadores, guitarras modificadas y equipo construido por él mismo. El oyente entra en un mundo de \u003cstrong\u003evicios oscuros y prohibidos\u003c\/strong\u003e, reflejo introspectivo de la época que Cowley pasó en los \u003cstrong\u003ebaños públicos de San Francisco\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLas piezas de \u003cem\u003e“School Daze”\u003c\/em\u003e abarcan desde \u003cstrong\u003eproto-techno minimalista\u003c\/strong\u003e hasta \u003cstrong\u003efunk de alta energía\u003c\/strong\u003e, pasando por \u003cstrong\u003epost-punk melancólico\u003c\/strong\u003e y \u003cstrong\u003emusique concrète\u003c\/strong\u003e, mostrando la enorme profundidad de su talento. Con más de \u003cstrong\u003e80 minutos de música\u003c\/strong\u003e, esta compilación incluye temas de dos películas de Fox Studio —\u003cem\u003e“Muscle Up”\u003c\/em\u003e y \u003cem\u003e“School Daze”\u003c\/em\u003e— nunca antes editados en vinilo.\u003c\/p\u003e\n\u003cp\u003eLas cintas fueron restauradas y transferidas respetando la velocidad y el tono originales, luego remasterizadas para vinilo por \u003cstrong\u003eGeorge Horn\u003c\/strong\u003e en \u003cstrong\u003eFantasy Studios\u003c\/strong\u003e (Berkeley, California). El vinilo se presenta en una \u003cstrong\u003ecarpeta doble brillante\u003c\/strong\u003e, con imágenes clásicas de cine porno gay de los archivos de Fox Studio y un \u003cstrong\u003eensayo de Jorge Socarrás\u003c\/strong\u003e, vocalista de Indoor Life.\u003c\/p\u003e\n\u003cp\u003ePara el \u003cstrong\u003e63.º aniversario de Patrick Cowley\u003c\/strong\u003e, \u003cem\u003eDark Entries\u003c\/em\u003e y \u003cem\u003eHoney Soundsystem\u003c\/em\u003e ofrecen una mirada al \u003cstrong\u003emundo instrumental de un joven genio\u003c\/strong\u003e. Estas grabaciones revelan el lado experimental de una \u003cstrong\u003eleyenda del disco\u003c\/strong\u003e que se fue demasiado pronto.\u003cbr\u003e\u003cstrong\u003eTodas las ganancias de “School Daze” serán donadas a Project Open Hand y AIDS Housing Alliance.\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/3L8048rFgwjy0AMySTgLeD?si=vc2q7EkpSeCrAzabfOdhaQ\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783993782472,"sku":"1001001432424","price":870.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Patrick-Cowley-_-School-Daze-1.jpg?v=1760386586"},{"product_id":"1001001432426","title":"LP \/ BACKUP 2: Mexican Tecno Pop 1982-1990","description":"\u003cp\u003e\u003cstrong\u003eDark Entries\u003c\/strong\u003e regresa a México con \u003cstrong\u003eBack Up Dos: Mexican Tecno Pop 1982–1989\u003c\/strong\u003e. Tras la compilación \u003cem\u003eBack Up\u003c\/em\u003e de 2021, \u003cem\u003eBack Up Dos\u003c\/em\u003e presenta 10 nuevos temas de \u003cem\u003esynth-pop\u003c\/em\u003e y \u003cem\u003eNew Beat\u003c\/em\u003e, de los cuales 7 nunca antes habían aparecido en vinilo. Desde ritmos mutantes de cajas de ritmo hasta irresistibles ganchos de sintetizador, los fans de los márgenes de los 80 encontrarán aquí canciones capaces de agitar sus fríos y oscuros corazones.\u003c\/p\u003e\n\u003cp\u003ePero \u003cem\u003eBack Up Dos\u003c\/em\u003e va más allá del simple rescate del kitsch retro; \u003cstrong\u003edocumenta el desarrollo de una rica escena musical DIY\u003c\/strong\u003e (hazlo tú mismo) que aún sigue poco explorada. A medida que los samplers accesibles y los sintetizadores digitales se difundían durante la década, el \u003cem\u003epost-punk\u003c\/em\u003e y la \u003cem\u003enew wave\u003c\/em\u003e dieron paso a sonidos más agresivos de \u003cem\u003eEBM\u003c\/em\u003e y \u003cem\u003ecyberpunk\u003c\/em\u003e. Esta escena también se desarrolló en oposición al clima político del momento: \u003cstrong\u003eel auge de los cárteles de la droga y un giro reaccionario en la política nacional\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMediante técnicas de grabación casera, estas bandas tomaron inspiración de la maestría electrónica de \u003cem\u003eThe Human League\u003c\/em\u003e y \u003cem\u003eWax Trax Records\u003c\/em\u003e, al tiempo que reflejaban el \u003cstrong\u003evibrante y caótico panorama cultural mexicano\u003c\/strong\u003e de la época. En \u003cem\u003eBack Up Dos\u003c\/em\u003e, himnos pop impecables de \u003cstrong\u003eCasino Shanghai\u003c\/strong\u003e y \u003cstrong\u003eLos Agentes Secretos\u003c\/strong\u003e conviven con rarezas retorcidas de \u003cstrong\u003eFord Proco\u003c\/strong\u003e y \u003cstrong\u003eMaría Bonita\u003c\/strong\u003e, mostrando una década de ingeniosa rebeldía y entusiasta experimentación.\u003c\/p\u003e\n\u003cp\u003eEl álbum viene en una \u003cstrong\u003ecarátula de estética neón ochentera\u003c\/strong\u003e, diseñada por \u003cstrong\u003eGwenaël Rattke\u003c\/strong\u003e, e incluye un \u003cstrong\u003elibreto de 12 páginas\u003c\/strong\u003e con fotografías, letras y notas. \u003cem\u003eBack Up Dos\u003c\/em\u003e recopila música sintética producida en México en el punto de cruce entre el \u003cem\u003eTecno Pop\u003c\/em\u003e y lo \u003cem\u003ePost-Industrial\u003c\/em\u003e, \u003cstrong\u003ealimentada por el choque cultural y las visiones de mundos distópicos\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/open.spotify.com\/album\/5DK10TSLjFIKZurNqyNecL?si=Uy1qBYbfQ1CH1u-_qzXx5w\" target=\"_blank\" title=\"link\" rel=\"noopener\"\u003eEscuchar en Spotify\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783995322568,"sku":"1001001432426","price":770.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Back-Up-Dos--Mexican-Tecno-Pop-1982-1990-1.jpg?v=1760387123"},{"product_id":"1001001432427","title":"LP \/ BACKUP: Mexican Tecno Pop 1980-1989","description":"\u003cp\u003eEn \u003cstrong\u003eBack Up: Mexican Tecno Pop\u003c\/strong\u003e, \u003cem\u003eDark Entries\u003c\/em\u003e nos presenta 10 temas diversos de música electrónica mexicana grabados entre 1980 y 1989, llenos de cajas de ritmos analógicas vibrantes y pegajosos ganchos de sintetizador. Ocho de estas canciones provienen de la compilación en CD \u003cem\u003eBackup: Expediente Tecno Pop\u003c\/em\u003e de 2005, editada por AT-AT Records. También se incluyen dos temas inéditos.\u003c\/p\u003e\n\u003cp\u003eEste lanzamiento marca la primera vez que muchas de estas canciones aparecen en vinilo; además, es la \u003cstrong\u003eprimera compilación en vinilo de New Wave y post-punk mexicano\u003c\/strong\u003e. Mientras que el synth pop y la electrónica experimental de Europa y Estados Unidos han sido ampliamente documentados, se ha prestado mucha menos atención a las propuestas surgidas desde la periferia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBack Up\u003c\/em\u003e funciona como un documento esencial de la \u003cstrong\u003efloreciente escena DIY (hazlo tú mismo)\u003c\/strong\u003e de México en los años 80, abarcando una amplia gama de estilos y estados de ánimo. Gracias a las técnicas de grabación casera, las bandas aquí reunidas pudieron evitar depender de los costosos estudios de la época.\u003c\/p\u003e\n\u003cp\u003eLos temas de \u003cstrong\u003eAvant Garde\u003c\/strong\u003e, \u003cstrong\u003eVandana\u003c\/strong\u003e y \u003cstrong\u003eSilueta Pálida\u003c\/strong\u003e exploran ese tipo de \u003cem\u003ewave\u003c\/em\u003e melancólico pero contagioso que los seguidores de \u003cem\u003eDark Entries\u003c\/em\u003e reconocerán y celebrarán. Mientras tanto, \u003cstrong\u003eVolti\u003c\/strong\u003e y \u003cstrong\u003eArtefacto\u003c\/strong\u003e ofrecen un sonido pop listo para la pista de baile, con ecos del \u003cem\u003efreestyle\u003c\/em\u003e neoyorquino, percusiones latinas y ritmos mecánicos. También hay giros más oscuros, como los toques \u003cem\u003eNew Beat\u003c\/em\u003e de \u003cstrong\u003eDécada 2\u003c\/strong\u003e y los experimentos electrónicos de \u003cstrong\u003eSyntoma\u003c\/strong\u003e y su proyecto alterno \u003cstrong\u003eEscuadrón del Ritmo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBack Up: Mexican Tecno Pop\u003c\/em\u003e fue remasterizado por \u003cstrong\u003eGeorge Horn\u003c\/strong\u003e en \u003cstrong\u003eFantasy Studios\u003c\/strong\u003e. La portada presenta un \u003cstrong\u003ediseño retrofuturista neón\u003c\/strong\u003e de \u003cstrong\u003eGwenaël Rattke\u003c\/strong\u003e. Además, se incluye un \u003cstrong\u003elibreto de 12 páginas\u003c\/strong\u003e impreso en papel verde, rosa y naranja neón, con fotografías, biografías de las bandas, letras y notas del álbum.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTRACK LIST\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAvant Garde – Pesadillas\u003cbr\u003eVandana - Cambios En El Tiempo\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSyntoma - No Me Puedo Controlar \u003cbr\u003eArtefacto - Mundo Sin Viento\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCou Cou Bazar - Cou Cou Bazar \u003cbr\u003e\u003cbr\u003eVolti – Corazón\u003cbr\u003eNahtabisk – La Dama De Probeta\u003cbr\u003eEscuadrón Del Ritmo – Las Cucarachas\u003cbr\u003eDécada 2 – Alfabeto (Cold Version)\u003cbr\u003eSilueta Pálida – El Paso Del Tiempo (Versión Remezclada)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"P355","offers":[{"title":"Default Title","offer_id":44783996043464,"sku":"1001001432427","price":770.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/LP---Back-Up--Mexican-Tecno-Pop-1980-1989-2.jpg?v=1760387313"},{"product_id":"1001001432533","title":"LP \/ IMS. SOY SAUCE","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv class=\"w-full text-token-text-primary\" data-testid=\"conversation-turn-579\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eReleased July 2009\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eSoy Sauce is the third album by Mexican Institute of Sound, released in 2009 and featuring Ad Rock of the Beastie Boys. The album includes the song “Jálale,” which is featured in the Pixar film Coco.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44909111804104,"sku":"1001001432533","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ims-soy-1.jpg?v=1770923726"},{"product_id":"1001001432534","title":"LP \/ IMS. PIÑATA","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv data-testid=\"conversation-turn-579\" class=\"w-full text-token-text-primary\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eReleased July 2007\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eIn 2007, IMS released their second album, Piñata, which features legendary tracks such as: \"El Micrófono,\" \"Escríbeme Pronto,\" \"Para No,\" \"Vivir Desesperado,\" \"La Kebradita,\" \"Kata Tania,\" \"Paulina y la Kim,\" and \"Mi Negra a Bailar.\" \"El Micrófono\" is part of the soundtrack for the video game FIFA 08, and the song \"Alocatel\" is from FIFA 10.\u003c\/p\u003e\n\u003cdiv class=\"markdown markdown-main-panel response-optimization\" id=\"model-response-message-contentr_6c8eebe12280e260\" dir=\"ltr\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"markdown markdown-main-panel response-optimization\" id=\"model-response-message-contentr_45c504efbda43340\" dir=\"ltr\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44909122879688,"sku":"1001001432534","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ims-pinata-1.jpg?v=1770923691"},{"product_id":"1001001432535","title":"LP \/ IMS. SUAVE PATRIA","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv data-testid=\"conversation-turn-579\" class=\"w-full text-token-text-primary\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eRelease July 2010\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eIn 2010, the IMS released a new album titled \"Suave Patria\" (Gentle Homeland), created for the Bicentennial of Mexican Independence parade. It contains six songs that, according to an official statement, \"created this musical piece attempting to evoke passages from the Mexican Constitution and represent a soundscape of the national territory.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44909130907848,"sku":"1001001432535","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ims-suave-1.jpg?v=1770923642"},{"product_id":"1001001432536","title":"LP \/ IMS. MEJICO MAXICO","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv data-testid=\"conversation-turn-579\" class=\"w-full text-token-text-primary\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eND Release\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eThis album contains 15 songs with sounds of Mexican and Latin American origin. Critics have described this project as a pioneer in blending electronic sounds with Latin American music.\u003c\/p\u003e\n\u003cdiv class=\"markdown markdown-main-panel response-optimization\" id=\"model-response-message-contentr_6c8eebe12280e260\" dir=\"ltr\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"markdown markdown-main-panel response-optimization\" id=\"model-response-message-contentr_45c504efbda43340\" dir=\"ltr\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44909141393608,"sku":"1001001432536","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ims-mejico-1.jpg?v=1772476423"},{"product_id":"1001001432537","title":"LP \/ IMS. VS SANT","description":"\u003cdiv class=\"flex-1 overflow-hidden\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-79elbk h-full\"\u003e\n\u003cdiv class=\"react-scroll-to-bottom--css-gmvgo-1n7m0yu\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-9\"\u003e\n\u003cdiv data-testid=\"conversation-turn-579\" class=\"w-full text-token-text-primary\"\u003e\n\u003cdiv class=\"px-4 py-2 justify-center text-base md:gap-6 m-auto\"\u003e\n\u003cdiv class=\"flex flex-1 text-base mx-auto gap-3 md:px-5 lg:px-1 xl:px-5 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem] group final-completion\"\u003e\n\u003cdiv class=\"relative flex w-full flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex-col gap-1 md:gap-3\"\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv class=\"min-h-[20px] text-message flex flex-col items-start gap-3 whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 overflow-x-auto\" data-message-id=\"2259622d-f18b-4db0-b17b-428e64e3c2fd\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cp\u003eMexican Institute of Sound\u003cbr\u003eRelease 2015\u003cbr\u003eMEXICO\u003c\/p\u003e\n\u003cp\u003eThe album features a collaboration with Santiago Casillas, also known as El Sant, vocalist of the band Little Jesus. The album has a dark and eerie feel and was released in October 2015, close to Day of the Dead and Halloween.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"P321","offers":[{"title":"Default Title","offer_id":44909144735944,"sku":"1001001432537","price":620.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ims-sant-1.jpg?v=1770923595"},{"product_id":"lp-galaxia-tropical","title":"LP \/ TROPICAL GALAXY. Ranil y Su Conjunto","description":"\u003cp\u003eRanil y Ranil y Su Conjunto - Tropical Galaxy\u003cbr\u003eAnalog Africa No. 43\u003cbr\u003eReleased on February 6, 2026\u003cbr\u003ePressed in Germany\u003c\/p\u003e\n\u003cp\u003e\"On April 18, 2019, just after getting off the plane in Iquitos, I got into a taxi with an older gentleman and immediately knew that the stars were aligned. As we headed towards the city center, I explained that I had come to the Peruvian Amazon to find Ranil.\"\u003c\/p\u003e\n\u003cp\u003e“You mean Ranil, the singer? I know where he lives,” he replied, as if it were the most natural thing in the world. “He has a radio station—I’ll take you there.”\u003c\/p\u003e\n\u003cp\u003eWe arrived at the heart of the frenetic Belén Market thirty minutes later, and before I knew it, I wasn't looking for the man anymore: I was standing right in front of him. Ranil and I connected immediately and ended up spending a month working together on this project.\u003c\/p\u003e\n\u003cp\u003eA year later, in early 2020, I booked a flight back to Peru, this time bringing with me the first volume of \u003cem\u003eRanil y Su Conjunto Tropical\u003c\/em\u003e , freshly pressed on vinyl. The plan, along with Ranil, was to organize a launch party in Lima and then continue on to Iquitos, but it wasn't to be.\u003c\/p\u003e\n\u003cp\u003eBefore we could meet, a lockdown brought the country to a standstill, and Ranil passed away on April 24, 2020. Those who knew him best said that the silence that fell over his beloved neighborhood was the one thing his heart could not bear.\u003c\/p\u003e\n\u003cp\u003eBorn in 1935 as Jorge Raúl Llerena Vásquez, Ranil's story begins in the Peruvian Amazon, in a corner where the sounds of the forest mingle with radio waves arriving from Colombia, Brazil, and Ecuador. After winning several local singing competitions as a young man, he soon realized that breaking into the Peruvian music industry—especially as an artist from the \"end of the world\"—would not be an easy path.\u003c\/p\u003e\n\u003cp\u003eSo he concentrated on his studies and became a teacher in a rural village near the border with Brazil, quietly writing his first songs to the rhythm of life in the jungle.\u003c\/p\u003e\n\u003cp\u003eYears later, back in Iquitos, fate intervened in the form of Johnny Quinteros of Los Silver's, who invited Ranil to join as a singer. Their two albums, recorded in the early seventies, became cult classics. When the band broke up, lead guitarist Limber Zumba and Ranil teamed up and recorded a demo, which they took to Lima in search of a record label.\u003c\/p\u003e\n\u003cp\u003eAfter returning disappointed from the capital —where they were offered unacceptable conditions— Ranil decided to found his own label, Producciones Llerena, something practically unheard of in this part of the Peruvian Amazon.\u003c\/p\u003e\n\u003cp\u003eWith a rotating cast of brilliant musicians like Luis Nigro, Emilio Piña, and Betto Gaviria by his side, Ranil created a sound that locals affectionately called “llullampeo”: imaginative, unpredictable, and wonderfully unrestrained. His percussionists wove rhythms that haven’t reappeared in the region since, and the 14 songs presented here remain some of the most vivid documents of that bold, free, and often psychedelic ensemble.\u003c\/p\u003e\n\u003cp\u003eOver the years, Ranil released more than a dozen LPs, though often in a beautiful mess: mismatched covers, wrong labels, missing song titles, and chaotic management. Llerena Productions was not destined to stand the test of time.\u003c\/p\u003e\n\u003cp\u003eIn the 1980s, as Amazonian cumbia began to fade and new trends took its place, Ranil reinvented himself as a radio pioneer, founding Radio Llerena in the heart of the Belén market. Its loudspeakers filled the neighborhood with cumbia, commentary, and community news, making him one of the most recognizable voices in Iquitos and even leading him into politics.\u003c\/p\u003e\n\u003cp\u003eOutraged by the injustices in the Amazon, Ranil ran several times for mayor of Belén for the Popular Action party, although he never won an election.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEpilogue by Samy Ben Redjeb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"While stuck in Lima during lockdown, I uploaded a selection of unreleased Ranil songs to our Bandcamp for the symbolic sum of $1. The collection was titled 'Stay Safe \u0026amp; Sound – The Ranil Selection.' To my surprise, people started contributing far more than the suggested amount.\"\u003c\/p\u003e\n\u003cp\u003eLooking for meaningful ways to use that money, I contacted Diego Hernández, a Peruvian music producer based in Berlin, with the Eck Echo label. During our first conversation, I learned that in Iquitos many people were dying, mainly due to a lack of oxygen.\u003c\/p\u003e\n\u003cp\u003eDiego told me about Father Raymundo Portelli, a priest who was coordinating a fundraising campaign to acquire an oxygen plant for the city's residents. He was clearly the person we should support.\u003c\/p\u003e\n\u003cp\u003eDiego and I joined forces to establish the Amazon Relief Fund, actively promoting donations while featuring Ranil's selection as the centerpiece. In just two weeks, we raised approximately €13,000, which was donated directly to Father Raymundo to facilitate the purchase of a second oxygen plant, likely saving many lives.\u003c\/p\u003e\n\u003cp\u003eEven in death, Ranil continued to do God's work!\u003c\/p\u003e\n\u003cp\u003e-Analog Africa-\u003c\/p\u003e\n\u003cp\u003eTracklist. Duration: 35 min 20 sec.\u003c\/p\u003e\n\u003cp\u003e1. Tropical Galaxy\u003cbr\u003e2. Bay\u003cbr\u003e3. Inka\u003cbr\u003e4. Three Cienaguero\u003cbr\u003e5. With Ranil Of Course (Interlude 1)\u003cbr\u003e6. Gypsy girl\u003cbr\u003e7. Dawn of My Jungle\u003cbr\u003e8. Cumbia Del Torero\u003cbr\u003e9. Venus cries\u003cbr\u003e10. Serenade (Interlude 2)\u003cbr\u003e11. Town\u003cbr\u003e12. Mambo in Spain\u003cbr\u003e13. Beautiful Sunset\u003cbr\u003e14. Andalusia\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eGraphic design: Mzk \u0026amp; Yacine Blaeich\u003cbr\u003eMastering: Michael Graves (Osiris Studio)\u003cbr\u003eAudio restoration: Jordan McLeod (Osiris Studio)\u003cbr\u003eTranslation: Saint Leticia\u003cbr\u003eNotes: Alfredo Villar \u0026amp; Samy Ben Redjeb\u003cbr\u003eText editing: Jesse Simon\u003cbr\u003ePhotographs: Unicorn Boy\u003cbr\u003e\u003c\/p\u003e","brand":"P373","offers":[{"title":"Default Title","offer_id":45007779889352,"sku":"1001001432577","price":880.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-galaxia-1.jpg?v=1773254502"},{"product_id":"saturno-2000-la-rebajada-de-los-sonideros-1962-1983","title":"LP \/ SATURNO 2000. \"La Rebajada\" of the Sound Systems 1962 - 1983","description":"\u003cp\u003eSaturn 2000\u003cbr\u003eLa Rebajada of the Sound Systems 1962 - 1983\u003cbr\u003eAnalog Africa No. 34\u003cbr\u003eDouble disc of 180 grams.\u003cbr\u003eReleased on April 15, 2022\u003cbr\u003ePressed in Germany\u003c\/p\u003e\n\u003cp\u003e\"It all started in 2010. I asked Eamon Ore-Giron — also known as DJ Lengua — if he would be interested in compiling a Latin project for Analog Africa, and if so, if he had any tracks in mind.\u003c\/p\u003e\n\u003cp\u003eHe replied, “Have you ever heard of the discount?”\u003c\/p\u003e\n\u003cp\u003eThe question mark above my head, along with the Great Wall of China, must have been the only objects visible from space, because Eamon, probably noticing that I had frozen, continued:\u003c\/p\u003e\n\u003cp\u003e“Rebajada in Spanish means 'to reduce' or 'to lower'. Basically, it consists of Mexican sound system operators slowing down the rhythm of a cumbia to create a much more tangible music for dancing. I'm going to send you a mix I made last year and you can tell me what you think.”\u003c\/p\u003e\n\u003cp\u003eAnd so he did.\u003c\/p\u003e\n\u003cp\u003eThe mix was called \"Rebajada Mota Mix,\" and I started listening to it on repeat. Although it didn't grab me immediately, it was intriguing from the first moment, so I kept listening until the magic began to unfold.\u003c\/p\u003e\n\u003cp\u003eThe slowed-down music gives you enough time to listen through it, revealing itself in ways I'd rarely experienced before. Everything became more transparent, and I began to notice sounds normally only perceived by bats. An almost psychedelic experience.\u003c\/p\u003e\n\u003cp\u003eThat mysterious mix included some Ecuadorian songs by \"Junior y su Equipo\"—also known as Polibio Mayorga (a cult figure in the sound system scene), a couple of Mexican tracks, one Colombian track, and several Peruvian songs, undoubtedly the driving force behind this project.\u003c\/p\u003e\n\u003cp\u003eThe sound system operator who brought \"Peruvian and Ecuadorian music to Mexico\" was the legendary Pablo Perea, of Sonido Arco-Iris, and although his influence is throughout the Saturno 2000 compilation, this selection of songs in a reduced version is exclusive to DJ Lengua.\u003c\/p\u003e\n\u003cp\u003eWith the exception of some classics by Polibio Mayorga and La Sampuesana —the queen of all the slowed-down songs—, most of these songs had probably never been performed this way, much less published.\u003c\/p\u003e\n\u003cp\u003eSo how did the price reduction come about?\u003c\/p\u003e\n\u003cp\u003eIn short: the discount began with two families of brothers —the Perea and the Ortega—, who traveled throughout Latin America and returned to Mexico with large quantities of records that they sold to the various sound systems always in search of new songs.\u003c\/p\u003e\n\u003cp\u003eColombian rhythms seemed to fit almost perfectly with Mexican dance steps—but they were a little too fast. As a result, some sound system operators began experimenting with the equipment, and Marco Antonio Cedillo of Sonido Imperial created a revolutionary pitch control system that could slow down records to a point other players could only dream of.\u003c\/p\u003e\n\u003cp\u003eAnd so the discount was born… or so we thought.\u003c\/p\u003e\n\u003cp\u003eMeanwhile, in northern Mexico, in Monterrey, DJ Gabriel Dueñez was nearly electrocuted by a short circuit that almost set his record player on fire. As a result, the turntable began spinning in slow motion for the rest of the party, transforming the cumbia into something completely different.\u003c\/p\u003e\n\u003cp\u003eThe young people went crazy for the sound and began pestering the sound system operator to record cassettes for them. Initially reluctant, Dueñez eventually started recording a series of bootleg tapes called “Rebajada,” which mainly featured slow versions of cumbia and Colombian porro.\u003c\/p\u003e\n\u003cp\u003eThose tapes swept the city and turned the discount into a celebrated and defiant youth movement.\u003c\/p\u003e\n\u003cp\u003eOf course, it wouldn't be a Mexican urban legend if it didn't include dramatic elements, so for almost 30 years —to this day and probably forever— both cities have been arguing and claiming for themselves the creation of the rebajada.\u003c\/p\u003e\n\u003cp\u003eBut Joyce Musicolor, the sound system operator who never has time for trivial discussions, summed it up perfectly:\u003c\/p\u003e\n\u003cp\u003e“The rebajada, and the equipment to play it, are from here [Mexico City], but it was Monterrey that popularized it.”\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e -Analog Africa-\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist. Duration: 54 minutes.\u003c\/p\u003e\n\u003cp\u003e1. The Dinners — Sampuesana — 3:53\u003cbr\u003e2. Junior and His Team — The Little Drunk Girl — 2:30\u003cbr\u003e3. Manzanita y Su Conjunto — Paga La Cuenta Sinvergüenza — 4:58\u003cbr\u003e4. Hugo Blanco and His Traveling Harp — Infinity — 3:35\u003cbr\u003e5. The Ugly Ones — Feito Parrandero — 3:40\u003cbr\u003e6. Junior and His Team — Well Danced — 4:15\u003cbr\u003e7. The Saints — Saturn 2000 — 3:42\u003cbr\u003e8. Lucho Gavilanes — The Monkey Dance — 3:21\u003cbr\u003e9. Conjunto Típico Contreras — Capricho Egipcio — 3:28\u003cbr\u003e10. The White Cats — The Farmer — 3:22\u003cbr\u003e11. The Atoms of Paramonga — I'm Going East — 4:26\u003cbr\u003e12. Junior and His Team — Rejoice — 3:01\u003cbr\u003e13. Grupo Celeste — I Have Everything From You Except Your Love — 4:48\u003cbr\u003e14. The Echoes — The Bandit's Escape — 5:02\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eResearch and interviews: \u003cbr\u003eJorge G. Balleza and Oscar G. Balleza, Brendan James Flannery and Yoana Berenice Herrera Orrala\u003c\/p\u003e\n\u003cp\u003ePhotos and posters: Yoana Berenice Herrera Orrala (Joyce Musicolor), David Rincón (Champeta Punk), Jorge G. Balleza and Oscar G. Balleza (Sabotaje Media)\u003c\/p\u003e\n\u003cp\u003eThis project was made possible with the support of: José “Morelos” Ortega, Jesús Eduardo Sánchez (Sonido Bogotá), Bruno Olvera (Sonido Tropical Olvera), Óscar Solórzano (Sonido El Pato), Gabriel Dueñez (Sonido Dueñez), Miguel Ángel Morales (Sonido Imperial), José Márquez (Sonido Los Freddys), Cirilo Espinoza (Sonido Bayu)\u003c\/p\u003e\n\u003cp\u003eGraphic design: Yacine Blaiech (Mogli Studio) and Kathrin Remest\u003cbr\u003eMastering: Michael Graves (Osiris Studios)\u003cbr\u003eLacquers: Frank Merritt (The Carvery)\u003cbr\u003eText editing: Ian Preece\u003c\/p\u003e\n\u003cp\u003eSpecial thanks: \u003cbr\u003ePolibio Mayorga, Berardo Hernandez Jr, Alcides Vicente Casas Rojas, Alfonso Saavedra, Marino Valencia, Victor Casahuaman Bendezu, Edilberto Cuestas Chacón, William Rodriguez Martínez, Abel Buenaventura Ortiz Chacón, Marti Cuevas, Luis Flores, Carlos Javier Pérez Samudio, Pedro Pérez Márquez, Chico Unicornio and Eamon Ore-Giron (Sonido Lengua)\u003c\/p\u003e","brand":"P373","offers":[{"title":"Default Title","offer_id":45007862268104,"sku":"1001001432578","price":990.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-saturno-1.jpg?v=1773254502"},{"product_id":"lp-peru-selvatico-sonic-expedition-into-the-peruvian-amazon-1972-1986","title":"LP \/ PERU SELVATICO. Sonic Expedition into the Peruvian Amazon 1972-1986","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerú Selvático\u003cbr\u003eSonic Expedition into the Peruvian Amazon 1972-1986\u003cbr\u003eAnalog Africa No. 34\u003cbr\u003eDouble 180-gram disc\u003cbr\u003eLaunched on\u003cmeta charset=\"utf-8\"\u003e December 16, 2022\u003cbr\u003ePressed in Germany\u003c\/p\u003e\n\u003cp\u003eLess than 100 miles inland from the capital city of Lima lies the vast Peruvian jungle, an untamed land of impenetrable forests and endless, winding rivers. In its isolated towns, far removed from the trends of the capital, a unique musical style began to develop, inspired by the sounds of the surrounding forests, the flow of the mighty Amazon and Ucayali rivers, and the cumbia rhythms that drifted in from distant stations via transistor radios.\u003c\/p\u003e\n\u003cp\u003eWith the arrival of electricity, a new generation of young musicians began to plug in their electric guitars and replace accordions with synthesizers: Amazonian cumbia was born.\u003c\/p\u003e\n\u003cp\u003eDriven by rapid-fire timbales, propelled by sharp, edgy guitar lines, and bathed in shimmering organ flourishes, Amazonian cumbia was like a hyperactive, distant cousin of surf rock, mixed with an all-night party in the heart of the jungle. While many of the genre's best tracks were instrumental and others simply celebrated jungle life, the goal of every song was to keep the party going.\u003c\/p\u003e\n\u003cp\u003eLima's radio stations remained oblivious to the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured across the mountain passes to cities like Tarapoto, Moyobamba, Pucallpa and even Iquitos — a city that can only be reached by boat or plane — and convinced dozens of bands to travel to the capital's recording studios and record their best songs.\u003c\/p\u003e\n\u003cp\u003eAlthough many of them became local hits, few were heard outside the Amazon region… until now.\u003c\/p\u003e\n\u003cp\u003eFeaturing eighteen tracks from some of the biggest names in Amazonian cumbia, Perú Selvático is both the unlikely soundtrack to a beach party on the banks of the Amazon and a psychedelic safari through the jungle mysteries of the Peruvian rainforest.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e -Analog Africa-\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist. Duration: 50 minutes.\u003c\/p\u003e\n\u003cp\u003e1. Los Royal's de Pucallpa — Descarga Royal — 3:30\u003cbr\u003e2. Sonido Verde de Moyobamba — La Cervecita — 2:09\u003cbr\u003e3. The Zheros — Virgin Jungle — 2:40\u003cbr\u003e4. Grupo Siglo XX de Rioja — Moyobambina — 2:43\u003cbr\u003e5. The Invaders of Progress — Smoke in the Jungle — 2:58\u003cbr\u003e6. The Swans — The Hammock — 2:54\u003cbr\u003e7. Tarapoto Youth Strawberry — Universal Cumbión — 3:35\u003cbr\u003e8. The Tingo María Rangers — La Trochita — 2:40\u003cbr\u003e9. The Invaders of Progress — The Buche Ball — 3:21\u003cbr\u003e10. Ranil y Su Conjunto Tropical — Bailando en el Infinito — 2:56 \u003cbr\u003e11. The Swans — Jungle Safari — 2:52\u003cbr\u003e12. Ranil y Su Conjunto Tropical — Baila Bonito — 2:55\u003cbr\u003e13. The Zheros — Alibaba — 2:43\u003cbr\u003e14. Juvenile Strawberry of Tarapoto — La Palmerita — 2:57\u003cbr\u003e15. Green Sound of Moyobamba — Remembering Aguaytía — 2:18\u003cbr\u003e16. Grupo Siglo XX de Rioja — El Pasito de Miriam — 2:51\u003cbr\u003e17. The Swans — River Sea — 2:34\u003cbr\u003e18. Los Zheros — La Uñita — 2:22\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eCompiled by: Samy Ben Redjeb\u003cbr\u003eGeneral Producer: Jorge Alan Pimentel\u003cbr\u003eText: James Matos Tuesta\u003cbr\u003eRecording engineer: Michael Graves\u003cbr\u003eTranslation: Brendan James Flannery\u003cbr\u003eText editing: Jesse Simon\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to: Jorge Reyes Miranda, Leonardo Vela Rodríguez, Ygor Olaf López Ríos, Homero Llerena Velásquez, Luis Artur Alván Bardales, Margot Marquesta, Ureta Paucar, Walter Paima Vásquez, Dalmace Ríos Ruiz, Luis Seijas Peña, José Lorenzo Alván Vásquez, Iván Solsol, Luis Flores, Víctor Zela, Adolfo Barrera Rodríguez, Chico Unicornio.\u003c\/p\u003e\n\u003cp\u003eThis project is dedicated to the memory of Jorge Solsol Miranda and Ygor Olaf López Ríos.\u003c\/p\u003e","brand":"P373","offers":[{"title":"Default Title","offer_id":45007906767048,"sku":"1001001432579","price":990.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-peru-1.jpg?v=1773254503"},{"product_id":"lp-ecuatoriana-el-universo-paralelo-de-polibio-mayorga-1969-1981","title":"LP \/ ECUATORIANA. The Parallel Universe of Polibio Mayorga 1969-1981","description":"\u003cp\u003eEcuatoriana\u003cbr\u003eThe Parallel Universe of Polibio Mayorga 1969-1981\u003cbr\u003eAnalog Africa No. 37\u003cbr\u003e180 gram disc\u003cbr\u003eReleased on April 7, 2023\u003cbr\u003ePressed in Germany\u003c\/p\u003e\n\u003cp\u003eOn February 12, 1949, an angry mob stormed into the center of Ecuador's capital, Quito, setting fire to the offices of the city's main newspaper and its oldest radio station.\u003c\/p\u003e\n\u003cp\u003eOn that tragic day, Radio Quito had just broadcast a local adaptation of H.G. Wells's The War of the Worlds. The novel—first published in 1898 and famous for its radio adaptation by Orson Welles—is one of the earliest stories to depict a conflict between humanity and a hostile race of extraterrestrials.\u003c\/p\u003e\n\u003cp\u003eThe vast audience, unaware that it was pure fiction, believed that an intergalactic intelligence had invaded the country, and chaos erupted. Thousands of people began running through the streets of Quito seeking refuge; the disorder triggered a deadly stampede. People blamed the radio station for the tragedy, formed a mob, and stormed Radio Quito, setting it ablaze. Several musicians who were performing there perished.\u003c\/p\u003e\n\u003cp\u003eIn the decades following World War II, outer space was on everyone's mind, and the space race of the 1950s and 1960s not only produced huge advances—such as the launching of artificial satellites, space probes to Mars, and the arrival of humans on the Moon—but also had a huge impact on the film and music industries.\u003c\/p\u003e\n\u003cp\u003eInstrument makers capitalized on the global fascination with space travel to create devices capable of mimicking imagined interplanetary sounds. These synthesized space effects, which captivated the imagination of a whole generation of young Ecuadorians, coincided with a period when workers and musicians from the provinces began migrating to Quito and the commercial port of Guayaquil. Some sought stable employment; others hoped to break into the music world by being hired by one of the prestigious urban radio stations.\u003c\/p\u003e\n\u003cp\u003eThese artists brought with them a wealth of rhythms to the great Ecuadorian cities, which would soon witness the explosion of what would become known as \"Andean cumbia\".\u003c\/p\u003e\n\u003cp\u003eThat fusion of tropical electronica with Andean melodies and lyrics describing the harsh reality of migrant workers achieved enormous success. And so, while Ecuador's growing interest in UFOs generated numerous extraterrestrial sightings, the country's musicians began releasing albums that combined traditional music with synthesizers to take their sounds into the \"space age.\"\u003c\/p\u003e\n\u003cp\u003eOne of these musicians was Polibio Mayorga, who had traveled 160 kilometers from his hometown of Chisalata to Quito, where he demonstrated his talent by modernizing ancestral rhythms of his region — such as the huaynito, the sanjuanito, the albazo and many others — using the latest electronic instruments.\u003c\/p\u003e\n\u003cp\u003eAfter four years with Los Locos del Ritmo, one of Ecuador's most popular bands, Polibio joined Fadisa (Fábrica de Discos SA) in 1973 as a solo musician and composer, before becoming its musical director a year later.\u003c\/p\u003e\n\u003cp\u003eDuring his time there he teamed up with the extraordinary saxophonist Olmedo Torres, and for ten years they composed and arranged hits not only for themselves, but also for other artists on the label.\u003c\/p\u003e\n\u003cp\u003eAlthough Fadisa had many sub-labels in its catalog, the crown jewel was Rondador, and it was under this label that Polibio released “Ponchito de Colores” and his famous album “La Farra Está Aquí.” Thanks to his innovative use of the Moog synthesizer, both records became huge hits and were constantly played on Cosmopolita and Marañón de Quito, the two main radio stations in the capital.\u003c\/p\u003e\n\u003cp\u003eThis sparked a huge increase in interest in Andean cumbia, and subsequent record sales helped revitalize the Ecuadorian music industry, making Polibio the most influential musician in the country.\u003c\/p\u003e\n\u003cp\u003ePolibio has never considered his music to be “tropical psychedelia”—though he thinks it would be a good name for a band. He has the sense of humor of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent, and humble. However, as a musician, he is bold and visionary, with a fearless and vigorous style that is almost impossible to imitate.\u003c\/p\u003e\n\u003cp\u003eMore than perhaps any of his contemporaries, Polibio Mayorga managed to establish a unique place for himself at the forefront of tropical music.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e -Analog Africa-\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist. Duration: 41 minutes\u003c\/p\u003e\n\u003cp\u003e1. Junior and His Team — America India — 2:54\u003cbr\u003e2. Eduardo Morales y Su Requinto — Muévase Vecina — 2:13\u003cbr\u003e3. Polibio Mayorga — Silk Handkerchief — 2:18\u003cbr\u003e4. Polybius and His Vibraphone — Late Hours — 2:10\u003cbr\u003e5. Los Locos del Ritmo — Llorona — 2:41\u003cbr\u003e6. Alcibiades and His Band — Making a Bomb — 2:40\u003cbr\u003e7. Olmedo Torres and Polibio Mayorga — My Paisa — 2:52\u003cbr\u003e8. Polibio Mayorga y Su Conjunto — Culebrita Dormida — 2:58 \u003cbr\u003e9. Orti, Mayorga and Chiriboga — Little White Doll — 2:40\u003cbr\u003e10. Olmedo Torres and Polibio Mayorga — Unita Más — 2:20\u003cbr\u003e11. Alcibiades and His Band — Poor Man's Bomb — 2:30\u003cbr\u003e12. Olmedo Torres and Los Gatos — Don Alfoncito — 2:13\u003cbr\u003e13. Polibio Mayorga — Railroad — 2:45\u003cbr\u003e14. Orti, Mayorga and Chiriboga — Say You Love Me — 2:43\u003cbr\u003e15. Conjunto La Jorga — La Perra Vida — 2:23\u003cbr\u003e16. Polibio Mayorga y Su Conjunto — Cumbia Totorana — 2:42\u003c\/p\u003e\n\u003cp\u003eAll songs, except Don Alfoncito, composed, arranged, produced or performed by Polibio Mayorga\u003c\/p\u003e\n\u003cp\u003eGraphic design: Mauricio Zuffo Kuhlmann (MZK) and Yacine Blaiech (Mogli Studio)\u003cbr\u003eText: Juan Mullo Sandoval and Samy Ben Redjeb\u003cbr\u003eTranslation: Ricardo Luiggi (DJ Tres Dos)\u003cbr\u003eMastering: Michael Graves (Osiris Studio)\u003cbr\u003eText editing: Jesse Simon\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to: Esteban Mendieta Jara “El Surco”, Luis Alberto “EcuAntología Musical”, Darío Maldonado Cardeño “Ritmonzón”, Eamon Ore-Giron “DJ Lengua”, Ruffy “Discodelic”, Carmina Mayorga, Björn Larsson (Timetableimages), Diego Hernández (Eck Echo Berlin), Pablo E. Yglesias “DJ Bongohead” (Peace \u0026amp; Rhythm), Jhon Henry Eche (Musicoteca Ecuador), Carlos Javier Pérez Samudio (Candelazos Tropicales), Iván Medellín (Conjunto Media Luna) and Ilka Schlockermann.\u003c\/p\u003e","brand":"P373","offers":[{"title":"Default Title","offer_id":45007929245896,"sku":"1001001432580","price":880.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-ecuatoriana-1.jpg?v=1773254502"},{"product_id":"lp-super-disco-pirata-de-tepito-para-el-mundo-1965-1980","title":"LP \/ SUPER PIRATE RECORD. From Tepito to the World 1965-1980 ","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cspan\u003eSuper Pirate Disco\u003cbr\u003e From Tepito to the World 1965-1980\u003cbr\u003e\u003c\/span\u003e Analog Africa No. 39\u003cbr\u003e Double 180-gram disc\u003cbr\u003e Launched on\u003cmeta charset=\"utf-8\"\u003e November 15, 2024\u003cbr\u003e Pressed in Germany\u003c\/p\u003e\n\n\u003cp\u003e \"I face a dilemma: how can the founder of an independent record label justify creating a project that highlights—and even praises—piracy, the very plague that has brought many labels to the brink of bankruptcy?\"\u003c\/p\u003e\n\n \u003cp\u003eI first became aware of the existence of \"bootleg\" LPs in 2020 while searching for records in Mexico City. Their strange, almost handcrafted covers—and the edited, modified, equalized, and slowed-down music they contained—immediately captivated me. There was no doubt: the more I delved into the world of these illicit productions, the more intrigued I became. It soon became clear that one day I would release my own compilation made from bootleg compilations.\u003c\/p\u003e\n\n\u003cp\u003e But beyond my personal fascination with that parallel world, it was undeniable that the \"pirate\" movement had played a significant role in shaping Mexico's music scene. So, how did it all begin?\u003c\/p\u003e\n\n\u003cp\u003e During the 1980s, a group of music dealers and record collectors in Mexico City joined forces to create a series of illegally manufactured vinyl records containing rare and highly sought-after hits from Peru, Ecuador, Colombia, and other countries.\u003c\/p\u003e\n\n \u003cp\u003eAt that time, the city's party and dance scene was dominated by sonideros, a highly developed network of mobile sound system operators. The popularity of the sonideros led to a growing demand for tropical music, as their audience increasingly sought out the \"exclusive\" hits associated with certain sounds.\u003c\/p\u003e\n\n\u003cp\u003e At the same time, record retailers were frustrated because the music industry was constantly sending them mediocre records. From this frustration arose the idea of ​​compiling LPs in which every song was a hit. The premise was clear:\u003c\/p\u003e\n\n\u003cp\u003e “It didn’t matter where the needle landed, it had to be a song capable of igniting the party.”\u003c\/p\u003e\n\n\u003cp\u003e These bootleg compilations—known as \"bootlegs\"—were pressed during the night shift on recycled vinyl, in editions of no more than 500 copies. They were produced cheaply and sold equally cheaply to people who otherwise would not have been able to afford them.\u003c\/p\u003e\n\n \u003cp\u003eThese records were constantly played in every corner of Mexico's densely populated neighborhoods, where, in addition to educating the ears of young people, they also promoted some of the best tropical music recordings in all of Latin America.\u003c\/p\u003e\n\n\u003cp\u003e According to various testimonies, these \"pirated\" LPs began to mysteriously appear in the early eighties in different market stalls in Tepito, the famous neighborhood of Mexico City, a place where you can find salsa parties during the day, any imaginable drug, any type of weapon and, of course, pirated music in all formats.\u003c\/p\u003e\n\n\u003cp\u003e It seems that the manufacturers of these records operated under the principle that \"what happens in Tepito stays in Tepito,\" and obtaining information about their operations was difficult, not to say dangerous.\u003c\/p\u003e\n\n\u003cp\u003e My accomplice in this project—Carlos “Tropicaza” Icaza, who agreed to write the liner notes—was quick to point out:\u003c\/p\u003e\n\n \u003cp\u003e“We can’t reveal any names. We’ll have to be careful how we tell this story.”\u003c\/p\u003e\n\n\u003cp\u003e At first, bootleg LPs had very simple generic covers, with invented company names like Discos Music-Hall, Carioca, Garden or Miami, and contained popular dance songs in almost every tropical genre.\u003c\/p\u003e\n\n\u003cp\u003e As these unlikely compilations became successful and new ones began to be produced at a rate of one per month, the pirates began to design and print much more eye-catching covers, which often included the logos of some of the most popular sounds such as Rolas, Pancho, La Changa, Arco-Iris or Casablanca.\u003c\/p\u003e\n\n \u003cp\u003eThe pioneer of this graphic style was Jaime Ruelas, who had started as a DJ at the legendary mobile disco Polymarchs before using his skills as an illustrator to design its flyers, posters, and logos. Drawing direct inspiration from science fiction films and heavy metal album covers, the graphics he created became a key element of the sound system culture.\u003c\/p\u003e\n\n\u003cp\u003e Perhaps the anonymous manufacturers didn't know it at the time, but by daring to create bootleg LPs they were helping to consolidate and expand the love for tropical music and dance among the population of Mexico City and beyond.\u003c\/p\u003e\n\n\u003cp\u003e These records are now a key element of the sound system culture, which was recently declared Intangible Cultural Heritage of Mexico City, due to the impact it has had on multiple generations who identify with the community experience of the street party, where music and dance became an essential part of daily life.\u003c\/p\u003e\n\n \u003cp\u003eThis double LP contains 23 tropical anthems for the dance floor, taken from some of the most extraordinary and strange bootleg LPs produced during the golden age of mobile sound systems in Mexico City.\u003c\/p\u003e\n\n\u003cp\u003e It also includes an extensive booklet with detailed notes and photographs, and is dedicated to all the sound system operators, for their pioneering role as ambassadors of tropical music within Mexican society.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e -Analog Africa-\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e Tracklist. Duration: 1 hour 15 minutes\u003c\/p\u003e\n\n\u003cp\u003e 1. Lucho Burbano — Afro Oriental — 5:39\u003cbr\u003e 2. Cumbia Machuca — Cumbia De Los Bee Gees — 2:40\u003cbr\u003e 3. Lucho Gavilanes — El Tequilazo \/ Canelazo — 2:42\u003cbr\u003e 4. Carlos Haayen and His Candeloso Piano — Palenque — 2:05\u003cbr\u003e 5. Enrique Lynch — Beethoven's Fifth Symphony — 3:01\u003cbr\u003e 6. The Pakines — Venus — 3:53\u003cbr\u003e 7. The Protest of Colombia — Cumbia Lament — 3:00\u003cbr\u003e 8. Sonora Tropical — Cumbia Rhythm — 3:14\u003cbr\u003e 9. Eduardo Zurita — La 3a De Los Toquecitos — 3:23\u003cbr\u003e 10. Leon Cardona y Los Internacionales — La Noche — 2:09 \u003cbr\u003e11. El Combo Cienaguero — El Compae Nuñez — 2:14\u003cbr\u003e 12. Gabriel Meza y Su Órgano Chévere — La Luna y El Pescador — 3:23\u003cbr\u003e 13. The Sparkles — You Are Worth as Much as You Have — 4:20\u003cbr\u003e 14. Los Diablos Rojos — A Bailar El Son Satánico — 6:51\u003cbr\u003e 15. Anibal Angel — Cumbia Tropical — 3:22\u003cbr\u003e 16. Camacho and Cano — Make a Wheel — 2:41\u003cbr\u003e 17. Rafalo Orchestra — That's With a Candle — 2:32\u003cbr\u003e 18. Alex Acosta and His Orchestra — Cumbia Del Amor — 2:55\u003cbr\u003e 19. Ramon Ropain — Malinga — 3:30\u003cbr\u003e 20. Afrosound — Chinese Platito — 3:25\u003cbr\u003e 21. The Sparkles — La China María — 3:05\u003cbr\u003e 22. Los Orientales de Paramonga — Te Gusta Como Azúcar — 2:40\u003cbr\u003e 23. Francisco Zapata — Cumbia Candelosa — 2:53\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e This project is dedicated to all the sound system operators in Mexico City.\u003c\/p\u003e\n\n\u003cp\u003e Graphic design: Yacine Blaiech (Mogli Studio)\u003cbr\u003e Cover: Joaquín Contreras Soto (Contreras.works)\u003cbr\u003e Mastering: Michael Graves (Osiris Studio)\u003cbr\u003e Audio restoration: Jordan McLeod (Osiris Studio)\u003cbr\u003e Album notes: Carlos Tropicaza and Samy Ben Redjeb\u003cbr\u003e Text editing: Jesse Simon \u003cbr\u003eTranslation: Brendan James Flannery\u003cbr\u003e Posters and flyers courtesy of Jaime Ruelas\u003c\/p\u003e\n\n\u003cp\u003e Special thanks to: Eduardo Zurita, Lucho Burbano, José “Morelos” Ortega, César Gómez Montoya (Codiscos), Juan Núñez (Iempsa), Ángel Villanueva (Discos Fuentes), Tony Peñaredonda (Discos Fuentes), Carlos Javier Pérez Samudio (Candelazos Tropicales), Esteban Mendieta Jara (El Surco), Eamon Ore-Giron (DJ Lengua), Jorge Contreras, Mirjam Wirz, Gail Gosschalk, Carlos “4 Frías” Estrada, Mamá Changa, Miguel Cruz Flores (Sonido Continental 2000), Ángel Blancas (Sonido Sensación 2000), Manuel Ramírez (Discos Toño), Ramón Rojo (Sonido La Changa). \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"P373","offers":[{"title":"Default Title","offer_id":45007946055880,"sku":"1001001432581","price":990.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1216\/6402\/files\/discos-pirata-1.jpg?v=1773254502"}],"url":"https:\/\/utilitariomexicano.com\/en\/collections\/discos-musica.oembed?page=2","provider":"Utilitario Mexicano","version":"1.0","type":"link"}