LP / CARL OESTERHELT — Eleven Pieces for Synthesizer

VINYL LP
Released September 2019
Germany

Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer.

Born in Munich in 1968, Carl Oesterhelt has worked in a variety of fields throughout a long and impressive career. His discography includes tenures with Neue Deutsche Welle legends FSK, intellectual disco outfit Merricks, and German legends The Notwist. His solo work has travelled even further and wider, taking in contemporary classical and chamber music, music for exhibitions and radio plays, not to mention notable collaborations with saxophonist Johannes Enders and legendary founding member of Faust, Hans Joachim Irmler.

Oesterhelt augments his own analogue arsenal with synthesizers borrowed from musician friends, resulting in almost fifteen different synthesizers –some in fruitful states of disrepair– which feature on the album. Opener “La chapelle de Francis Lai” pays tribute to the French film composer with a synthesized church organ procession, disintegrating kraut-funk-noir which emerges on “Poro Secret Society”. Then, eerie sound effects mash with minimal techno rhythms on “Makonde Pattern”, and –most surprisingly– Oesterhelt turns his keys into a sub-Saharan drum ceremony on “Trinidad Pattern”. The sheer range of Eleven Pieces for Synthesizer is an impressive achievement unto itself. Yet it is Oesterhelt’s instincts as a composer which make these (largely improvised) recordings so compelling. Tensions build and emotions stir throughout each piece with a proficiency perfected through his work for the stage.

Musically associates, and directly connected to a heritage of German electronics, Eleven Pieces for Synthesizer touches upon similar ground to the likes of Musik von Harmonia in its pulsations, Klaus Schulze’s sonically adventurous Cyborg, and Tangerine Dream at their earliest and most primitive. The hypnotic ritualism of early African field recordings, or the spiritual regality of European organ music also convey key reference points in the formulation of this collection. Oesterhelt’s compositions here have taken the musically primitive and the emotionally raw, and woven them into a rich synthetic soundworld all of his own.

Produced on Analog Synthesizers by Carl Oesterhelt, Munich. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Design & Photos by Daniel Castrejón

TRACKLIST / 43 minutes

01 La chapelle de Francis Lai
02 Petrolio
03 Simple Theme
04 Makonde Pattern
05 Herbstspaziergang
06 Venedig
07 Trinidad Pattern
08 Poro Secret Society
09 Überlagerung
10 Verblassende Erinnerung
11 Synchronisation 

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UMOR REX is a window with a unique vision of experimental music. It's a label worth discovering through your ears, both for electronic music lovers and for those curious to explore new forms of artistic expression.

Founded in 2006 in Mexico City, UMOR REX is an independent record label with a challenging and experimental catalog, in vinyl and cassette formats, spanning from ambient to electronic experimentation, dub, and avant-garde. They release the work of artists constantly exploring new sonic territories, such as Felicia Atkinson, Driftmachine, Rafael Anton Irisarri, Gudrun Gut, Siavash Amini, among many others.